Sameness, Science Fiction, Fantasy, And Building Nothing

I’ve often remarked that I don’t read much SF anymore, or really watch it for that matter. Sure I watch some stuff here and there, or some anime, but there’s not much out there that makes me want to dedicate time to a series or a book. Bad SF and the fact real life is often more SF-like have been a deterrent to me. “Psycho-Pass” was an exception as it was intriguing and really hit that sweet spot of psychology, sociology, and technology.

But I will often watch “very light” SF and fantasy, usually for pure entertainment. It’s brain-on-hold stuff in most cases. Even then, fantasy seems to be . . . samey.

I’ve been thinking as of late what is missing in all of this? What is going on? Hollywood is making the same film over and over, and apparently conspiring to destroy Ryan Reynonld’s career.

Actually, the very sameness gets to me. Sameness is stagnant. Sameness is stuff not happening.

SF often has this problem when it’s a pile of tropes or when technology really is just magic with a few buttons glued on. It’s all the same.

Fantasy is bad about this as well, and I think fantasy is more vulnerable to it. Fantasy is often ancient magic and old gods and prophecies and such. I get tired of chosen ones and destinies and the like because it’s all the same. It’s all repetitious.

There’s no sense of agency, of building, of making.

This is probably why a lot of the modern fantasy and urban fantasy leaves me cold. Warmed over chosen-one plots, half-baked conspiracies, parades of demons and vampires and the usual stuff. A core that is often about cycles and with no sense of agency, and repetitious. Throw that mess into the Hollywood blender and . . . yech. No wonder people are bored.

What I miss from SF is a sense of building a future, of wonder, of construction, of creation, of agency.

This is one thing I enjoyed about Pacific Rim (which is SF light, frankly). It’s about people doing stuff. Monsters show up so we build war machines to punch them in the face. We want to know more about the monsters so research is done. PR is about people making things happen, often inside gigantic robots – but also face-to-face.

This is why I enjoyed editing Serdar’s “Flight of the Vajra” – and I say this sincerely and not as a plug. His hero is an engineer, who things, hacks, and engineers his way out of problems. Other characters take control of their lives. Agency is a core part of the book.

I’d like to see more good SF. More stuff about knowledge and applying it and agency.

I live in Silicon Valley. I live science fiction. I am science fiction. I do science fiction.

I want to see stuff about doing. Not following a script. Not things being happened to.

Agency.

– Steven Savage

Steven Savage is a Geek 2.0 writer, speaker, blogger, and job coach.  He blogs on careers at http://www.musehack.com/, nerd and geek culture at http://www.nerdcaliber.com/, and does a site of creative tools at http://www.seventhsanctum.com/. He can be reached at https://www.stevensavage.com/.

Netflix Is Going to Do Documentaries, Comedy Specials

Sounds like they have plans and are building on their success – and others.

I’m not really into “Arrested Development” (funny, but just didn’t get into it) or “House of Cards” (also a lot of talent, but not my thing) but they sound pretty good.  So Netflix branching out is a good idea for them.

However, I’d note one thing – they’re really moving into being a kind of, well, channel.  Part HBO, part Amazon. That’s going to get very interesting, and I wonder who will see them as competition – and as an ally.

I also wonder if Netflix is going to try and cultivate indie talent.  That could work out well – especially as we watch what appear to be the first phases of the predicted Hollywood meltdown.

– Steven

“Turbo” Isn’t Doing So Hot. Insert Your Own “Slow” Joke Here.

Adjusted for inflation?  Worst Dreamworks opening ever.

I think there’s several factors here:

  1. The general movie meltdown occurring.
  2. It’s a new property that  . . . is about snails.  
  3. It’s also competing against animated sequels to well-loved properties – Despicable Me 2 and Monsters University.  I can also say that DM2 is excellent and deserves it’s praise.
  4. I can’t say the marketing campaign seemed effective (after seeing Pacific Rim‘s dismal campaign I wonder if this another Hollywood Problem).

But another sounds-sure/sounds-big property doing so hot.  I feel kind of bad for Ryan Reynolds, who just cannot catch a break here.

– Steven