Creativity

Only You Goes Both Ways

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(This column is posted at www.StevenSavage.com and Steve’s Tumblr.  Find out more at my newsletter.)

“Only you can write your story,” is something I and others often tell troubled authors. No matter how unoriginal you feel your work is, your take is unique because you are unique. The world is filled with similar stories, we remiind our fellow creators, but those are at best a framework animated by a unique author’s spirit.

However it seems we get suddenly judgmental when we decide how to spend our time. Is this book truly worth reading? Should we see this movie? We’re ready to encourage others to create, but suddenly far less interested in taking in various creations. This is not saying you have to read and watch everything, but that maybe you can be a little more open to experiences because your reading and viewing is also unique.

You are the only one that can write your story, and in turn you are the only one that reads a book or sees a movie your way.

(Besides, as Serdar notes in a column that semi-inspired this one, you can just stop if something is truly awful.)

Your reading or viewing experience is just as unique as anything you create. You will have insights no one else has, and find inspiration unique to your own creativity. You will find flaws no one else saw, and take away lessons no one else will learn. However you consume an artistic experience, that experience is yours and what you take from it is yours.

As an example, let me tell you about when I read a compendium of Lupin stories, tales of the titular gentleman thief by Maurice Leblanc. I wanted to see what the fuss was about, and I had two takeaways. The first was that I didn’t get the popularity, and figured it was a cultural difference. The second was that the concise writing, even in translation, provided a good example of doing a lot with few words – Leblanc could do in a paragraph what might take another author a page. I didn’t fall in love with Lupin, but the style helped me reduce my own gratuitous wordiness.

That was my experience. Yours might be different, and perhaps if we talked we’d learn twice as much.

Guard your time, definitely. But don’t guard it so much you find you’re in a self-made prison.

Steven Savage

The Treasures of Models and Metaphors

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(This column is posted at www.StevenSavage.com and Steve’s Tumblr.  Find out more at my newsletter.)

As Serdar and I often discuss in our blogs, people find inspiration in areas unrelated to their projects and goals. He finds ideas from the aesthetics of music that inform his writing. I took self-help book ideas and created a worldbuilding series. Whatever your interests, sometimes the best inspiration comes from somewhere else.

I think one of the advantages of these diverse inspirations is giving you new models and metaphors.

Recently, I noted a videogame named Slipways gave me a model for stable social circles. The game involves creating a series of linked colonies that support each other. It helped me see that it was a great pattern for building social ties in these troubled times.

This insight helped me see other times I’d had inspiration from one source help me in seemingly unrelated areas of creativity as models or metaphors. My worldbuilding books take the self-help model and apply it to fictional settings. I used fractals as a metaphor for certain patterns in fiction writing. As everyone is aware, I use Agile methods for ideas and models throughout my work and feed my findings back to Agile.

Models and metaphors are ways we can move insights around from one inspiration to another. A model gives us a framework to re-envision the relationships of ideas, even if we may have to hammer a round idea through a square concept. A metaphor inspires us with a new way to see and connect information. Having a variety to use gives us more and better ways to create.

Realizing just how “unrelated inspiration” can become very related, I’m curious how I might see the world differently now. I know I’ve done this seeking of models and metaphors semi-consciously. I’m quite interested as to how I’ll see the world being more conscious of it . . .

Steven Savage

Surviving on Projects

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(This column is posted at www.StevenSavage.com and Steve’s Tumblr.  Find out more at my newsletter.)

I regularly complain about how the Pandemic has affected my projects -writing, coding, etc. You, my readers, get a front-row seat to that more than you or I would like. But I must note that having projects kept me sane during the Pandemic.

The Pandemic disrupted everything in our lives. We could not do anything as we once did without the threat of infection. We watched many of our fellow citizens fail us, and we watch them continue to fail us. Nothing is the same, and humans like at least a little sameness.

But having projects – a book, a website, a podcast – gives one structure and stability. These at least act as an anchor for one’s sense of self, a place that reminds you of who you are. Writing, art, charity, and other deep passionate activities can be expressions of who you are. Projects help us survive by letting us actively be who we are.

Every time you write, or draw or phone bank, about something that matters, that’s you being you. Maintaining these projects throughout the chaos of the Pandemic keeps you from losing who you are.

I recently realized how important this was when I assessed the impact of the Pandemic on people. In discussions with friends and family, I saw how having any project kept people mentally healthy. People without projects often faired worse.

There are lessons here for us to learn about ourselves, but for others as well. As we try to move forward in the changing Pandemic, we can maintain our projects. We can also involve others who need a focus to join our projects – or start their own.

The Pandemic has a ways to go in the US, and farther to go in the world. Socializing and society is changing. Having something that matters is going to be critical for the well-being of many.

Steven Savage