Creativity, Resistance, and Results

(This column is posted at www.StevenSavage.com and Steve’s Tumblr.  Find out more at my newsletter.)

As I have written about regularly, creativity is necessary to get a better world. It is a power that dissolves the grip of tyrants, a kind of Alkahest that dissolves in a disarming matter. But one of the powers of creativity is that well-done creativity is about results.

For all its power and adaptability, good creativity is also strangely solid.

Think of the power of a single book. It is a real thing, it exists, its ideas are there. Even a lousy book is an achievement – and a great book is even more of an achievement. A book can change the world and take down empires.

A thousand books, even in a regime trying to censor them, can bring down an empire as it can’t stop them all. The empire might not even know they exist and what they say until it’s too late.

Now take those books and add in films, TV shows, podcasts, and more. Creative people can get things done, and that’s another reason tyrants fear them. Certainly if you’ve ever seen a dictator or would-be dictator style themselves a writer and artist while promoting their obviously poor and shallow works, you know they crave that completion, that artifact showing triumph.

I think this is for three reasons.

First, creative people are DRIVEN. It is often inspiration and passion. It may involve the creative ego which is remarkably productive. But the sheer drive of creative people can keep them going in the fact of kings and despots – even if that creativity is peppered with rage and hate.

Secondly, creative people can leverage their creativity to get things DONE.They figure out ways to manage their time (or mismanage it really well). They seek ways to get their work complete. Really good creative peoples get creative about their time management.

Third and finally, creative people can be creative about how to get work OUT. They will self-publish. They will make pamphlets. They will distribute files to twenty different e-book publishers. If you are old enough like me and remember the old ‘zine days or the early internet, you know what creatives will do even without modern tools.

So don’t just apply your creativity against the tyrant and the despot. Appreciate how your creativity drives you to finish, finds ways to complete your world, and get your work distributed. Embrace your creativity as it lets you realize itself.

And it makes kings and emperors afraid.

Steven Savage

Your Creative Contribution

(This column is posted at www.StevenSavage.com and Steve’s Tumblr.  Find out more at my newsletter.)

Those of us who want to create want to have an effect. We want to reach people, inspire people shock people, to somehow change people. We’re catalysts, producing change (and perhaps being changed by the interaction).

But we must also remember that we creatives have different effects. This is important as we can become obsessed with having one kind of effect, and forget the many others. If we focus on having a specific type of effect, we loose our chance to be much more, or be who we are.

Think of all the different ways you can effect people with our creativity. Imagine life as a building – where does your creativity come in?

We can be foundations. Our creativity can provide people something to build on in the world, giving them something solid on which to make more. We’ve all read that good novel that made us go “yes, and now.” We’ve all seen that documentary that said “I get it, and now see where to go next.” You can be that solidity that lets others grow.

We can be pillars. We can create that work that is seminal, that people refer to for years, decades, or centuries. We can stand as an example people rally around. This may seem challenging, but if you’re a specialist in your area, no matter how minor, you may be a pillar. That novel you wrote that is very specific may truly be the best of its kinds for a hundred years.

We can be the roof. Our work my be that which protects people, creative stories that heal the soul or provide comfort. It is these works that restore and heal, that shield the mind against despair and hopelessness.

We can be the alchemy. Our works can interact with the creativity of others, to simulate them into thinking and growing. Your story, your advice book may explore and challenge ideas, and thus lead others to think deeper. Such works inspire new ones, and create even stronger creative results.

We can be the decorations. A light and frivolous film is fun, and fun is important to cheer us and to inspire us and relax us. We may create something that is inspiringly artistic, a monument to what can be done. We can enhance the experience of others, such as when a story explores common tropes in a new way.

Your creative results may be one of these – or perhaps one I haven’t come up with in these simple metaphors. You may aim to achieve a specific kind of creative result, which is laudable. Focus is important for success.

But keep in mind that your creative path may lead you to other areas. The epic novel you write to stand the test of time may turn out to be more comforting to others, and that is still an achievement. The light short story we created can turn out to be timeless, a pillar which rallies others. Be open to your creative work having different results than intended.

But as always, keep creating and keep seeking the best results for others.

Steven Savage

Regular Writing And Regular Contact

(This column is posted at www.StevenSavage.com and Steve’s Tumblr.  Find out more at my newsletter.)

We’ve all heard the advice “write every day” and “write x words a day.” It’s easy for people to toss this advice off, and it’s equally easy for people to feel guilty they don’t do it, or for those that to do be self-righteous. Writing is a challenging thing, a personal thing, and guilt and self-aggrandizement help neither. I think the better idea is “stay in touch with your writing each day.”

See, I do try to write every day. It helps me plan ahead, make schedules, and make measurable progress. It’s not always the same thing every day, but it usually is. As of late, dealing with the Pandemic and all, I began to notice something.

Some days I’d write the same work for hours upon hours, and other times much less. But there were times when I had to take a break from whatever project to do other things – and when I took those breaks, sometimes something was missing.

I also noticed when I focused on a given project – up to a point- that it got easier to work on every minute I spent. I was getting “into” the work, getting in touch with it, getting to know it. Spending time on a project meant an increasingly intimate, inspired understanding of it.

Finally, I noticed when I wasn’t writing, but got inspired and jotted something down, I got the same rush as having spent, say, two hours writing the same book. That same fire was there.

This led me to an important conclusion: you may not be able to write every day, or write the same project every day. However you should try to “get in touch” with your project each day.

What do I mean by “get in touch?” I mean know your work intimately, be connected to it, feel it. You know, those moments you just “get it” like you get a good friend.

So each day, even if you can’t write, take a few minutes to review your notes, jot down ideas, or read a chapter you’ll be editing. Do something that connects you to your current writing project or projects so you have that vital, intimate feel.

Again, I do think writing every day is useful. But it’s not for everyone, and some people prefer (or have to do) large blocks of writing time. Just take time each day to connect yo your writing projects so you keep that fiery, powerful relationship going.

And don’t let anyone make you feel guilty for what works for you.

Steven Savage