Creativity

Regular Writing And Regular Contact

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(This column is posted at www.StevenSavage.com and Steve’s Tumblr.  Find out more at my newsletter.)

We’ve all heard the advice “write every day” and “write x words a day.” It’s easy for people to toss this advice off, and it’s equally easy for people to feel guilty they don’t do it, or for those that to do be self-righteous. Writing is a challenging thing, a personal thing, and guilt and self-aggrandizement help neither. I think the better idea is “stay in touch with your writing each day.”

See, I do try to write every day. It helps me plan ahead, make schedules, and make measurable progress. It’s not always the same thing every day, but it usually is. As of late, dealing with the Pandemic and all, I began to notice something.

Some days I’d write the same work for hours upon hours, and other times much less. But there were times when I had to take a break from whatever project to do other things – and when I took those breaks, sometimes something was missing.

I also noticed when I focused on a given project – up to a point- that it got easier to work on every minute I spent. I was getting “into” the work, getting in touch with it, getting to know it. Spending time on a project meant an increasingly intimate, inspired understanding of it.

Finally, I noticed when I wasn’t writing, but got inspired and jotted something down, I got the same rush as having spent, say, two hours writing the same book. That same fire was there.

This led me to an important conclusion: you may not be able to write every day, or write the same project every day. However you should try to “get in touch” with your project each day.

What do I mean by “get in touch?” I mean know your work intimately, be connected to it, feel it. You know, those moments you just “get it” like you get a good friend.

So each day, even if you can’t write, take a few minutes to review your notes, jot down ideas, or read a chapter you’ll be editing. Do something that connects you to your current writing project or projects so you have that vital, intimate feel.

Again, I do think writing every day is useful. But it’s not for everyone, and some people prefer (or have to do) large blocks of writing time. Just take time each day to connect yo your writing projects so you keep that fiery, powerful relationship going.

And don’t let anyone make you feel guilty for what works for you.

Steven Savage

Consuming Creativity

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(This column is posted at www.StevenSavage.com and Steve’s Tumblr.  Find out more at my newsletter.)

Tyrants and those that would control us fear creativity. They can be out-imagined, out-thought, and thrown down often by means they didn’t foresee. Tyrants fear creativity.

Though tyrants may try to ape it, or own it, or redirect it, tyrants also try to hold people in their iron grip. Those they cannot deceive or bring over to their cause, they gladly terrorize. Indeed, such people revel in power anyway, and will do so until overthrown and thoroughly broken.

That terror can consume creativity.

When you are afraid, your resources rally to survive. In the terror produced by tyrants, your creative abilities easily focus on simply getting through the day. This can sap your creative powers, as you are spending so much effort surviving, you can’t imagine what is needed to overthrow a tyrant and give them the fate they deserve.

I don’t think tyrants entirely do this by design – terror is the coin of their realm. But they certainly are glad to have you so worried you can’t scheme against them.

Therefore it is the duty of a creative person to maintain that creative spark at all costs, because losing it costs all.

The simplest way is to make space for creative work – to draw, to write, to speak, to joke. To keep that area of your life where creativity is more than survival doesn’t just keep the flame of imagination going, it powers it. As long as you can see new vistas and make new songs, you can find new ways to survive the tyrant’s rein, and do your part to end it.

A creative should also remember that by keeping their creativity going, they help others. A song can soothe those terrorized by would-be rulers. A joke can lead to laughter and release, giving people a moment to see how small the tyrant is. A game can inspire and lead people to new ideas to resist and defeat a dictator. Remembering what your creativity does for others aids you.

But there is one other path – to use survival to inspire you.

Turning your creative energies to survive and prosper under a tyrant, to work towards their just reward, can be a great motivator. To dream of ways to communicate to others, to undermine evil, to free the imprisoned harnesses your creativity. It also gives you a sense of power – you have gone from surviving to finding the potential of triumph.

We should take joy in the ways we creatively battle the evils of the world.

But one should always cultivate a diversity of creativity – we should sing while we scheme against the king, the acid words of a good joke can be turned to the clever worlds of a good polemic. We should always keep that raw fire of creativity burning, not only taking pleasure in the eventual defeat of a dictator. Keeping that primal creativity keeps the infinite potential at the ready.

Besides, if one focuses only on the overthrow of a tyrant richly deserving defeat, then one may loose touch with all the creative things they can do. If you do that, you might become a tyrant yourself as you loose that vital, human, imagination.

Steven Savage

Schedules, Order, and The Zone

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(This column is posted at www.StevenSavage.com and Steve’s Tumblr.  Find out more at my newsletter.)

With the coronavirus lockdown, it was challenging to keep up with my writing, especially my novel “A School Of Many Futures.” My life had been disrupted, my girlfriend’s life had been disrupted, my co-workers were dealing with changes, and there was the omnipresent specter of death. Not the best time to feel creative.

But I wanted to write, despite not having much of the right mood. There was something there that wanted to, writing is part of me, and I didn’t want to give up.

So here’s what I did – and something I found that surprised me.

What I started doing was scheduling writing time and/or goals. Each day more or less I tried to write, my Worldbook having a goal of writing 2 questions a day, and for my novel usually an hour on it (or an hour replotting). I admit for a stretch of weeks I was at best meeting 80% of my goals, but it was better than zero, and I was still writing.

It was a slog for awhile. You can kind of guess the reasons for it as you’re probably experiencing them or have experienced them. Still, work got done, and it was pretty good work.

Then I noticed something. I was getting more ideas, especially for my novel. I began noticing techniques that fired my imagination. I was getting inspired despite the slog, following the schedule . . .

. . . except I wasn’t. I was inspired because of the schedule.

I realized in time that because of the coronavirus crisis I’d lost touch with my inspirations. If I had just written because I was “in the mood” I’d never have written. But following a schedule meant I was always in touch with my writing even if I didn’t want to be or care.

And in time, that awareness led to inspiration and ideas and being viscerally aware of my work. Instead of writing when in the mood, the schedule kept me writing and let me more easily find the writing mood where inspiration flowed.

If you’re having trouble being creative in something, try this. Don’t wait for the mood, just make plans and do your best. Keep at it, but don’t beat yourself up if it’s not perfect. See what happens when you spend time on it.

It worked for me in time, but first you have to put in the work.

Steven Savage