Creativity

Consuming Creativity

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(This column is posted at www.StevenSavage.com and Steve’s Tumblr.  Find out more at my newsletter.)

Tyrants and those that would control us fear creativity. They can be out-imagined, out-thought, and thrown down often by means they didn’t foresee. Tyrants fear creativity.

Though tyrants may try to ape it, or own it, or redirect it, tyrants also try to hold people in their iron grip. Those they cannot deceive or bring over to their cause, they gladly terrorize. Indeed, such people revel in power anyway, and will do so until overthrown and thoroughly broken.

That terror can consume creativity.

When you are afraid, your resources rally to survive. In the terror produced by tyrants, your creative abilities easily focus on simply getting through the day. This can sap your creative powers, as you are spending so much effort surviving, you can’t imagine what is needed to overthrow a tyrant and give them the fate they deserve.

I don’t think tyrants entirely do this by design – terror is the coin of their realm. But they certainly are glad to have you so worried you can’t scheme against them.

Therefore it is the duty of a creative person to maintain that creative spark at all costs, because losing it costs all.

The simplest way is to make space for creative work – to draw, to write, to speak, to joke. To keep that area of your life where creativity is more than survival doesn’t just keep the flame of imagination going, it powers it. As long as you can see new vistas and make new songs, you can find new ways to survive the tyrant’s rein, and do your part to end it.

A creative should also remember that by keeping their creativity going, they help others. A song can soothe those terrorized by would-be rulers. A joke can lead to laughter and release, giving people a moment to see how small the tyrant is. A game can inspire and lead people to new ideas to resist and defeat a dictator. Remembering what your creativity does for others aids you.

But there is one other path – to use survival to inspire you.

Turning your creative energies to survive and prosper under a tyrant, to work towards their just reward, can be a great motivator. To dream of ways to communicate to others, to undermine evil, to free the imprisoned harnesses your creativity. It also gives you a sense of power – you have gone from surviving to finding the potential of triumph.

We should take joy in the ways we creatively battle the evils of the world.

But one should always cultivate a diversity of creativity – we should sing while we scheme against the king, the acid words of a good joke can be turned to the clever worlds of a good polemic. We should always keep that raw fire of creativity burning, not only taking pleasure in the eventual defeat of a dictator. Keeping that primal creativity keeps the infinite potential at the ready.

Besides, if one focuses only on the overthrow of a tyrant richly deserving defeat, then one may loose touch with all the creative things they can do. If you do that, you might become a tyrant yourself as you loose that vital, human, imagination.

Steven Savage

Schedules, Order, and The Zone

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(This column is posted at www.StevenSavage.com and Steve’s Tumblr.  Find out more at my newsletter.)

With the coronavirus lockdown, it was challenging to keep up with my writing, especially my novel “A School Of Many Futures.” My life had been disrupted, my girlfriend’s life had been disrupted, my co-workers were dealing with changes, and there was the omnipresent specter of death. Not the best time to feel creative.

But I wanted to write, despite not having much of the right mood. There was something there that wanted to, writing is part of me, and I didn’t want to give up.

So here’s what I did – and something I found that surprised me.

What I started doing was scheduling writing time and/or goals. Each day more or less I tried to write, my Worldbook having a goal of writing 2 questions a day, and for my novel usually an hour on it (or an hour replotting). I admit for a stretch of weeks I was at best meeting 80% of my goals, but it was better than zero, and I was still writing.

It was a slog for awhile. You can kind of guess the reasons for it as you’re probably experiencing them or have experienced them. Still, work got done, and it was pretty good work.

Then I noticed something. I was getting more ideas, especially for my novel. I began noticing techniques that fired my imagination. I was getting inspired despite the slog, following the schedule . . .

. . . except I wasn’t. I was inspired because of the schedule.

I realized in time that because of the coronavirus crisis I’d lost touch with my inspirations. If I had just written because I was “in the mood” I’d never have written. But following a schedule meant I was always in touch with my writing even if I didn’t want to be or care.

And in time, that awareness led to inspiration and ideas and being viscerally aware of my work. Instead of writing when in the mood, the schedule kept me writing and let me more easily find the writing mood where inspiration flowed.

If you’re having trouble being creative in something, try this. Don’t wait for the mood, just make plans and do your best. Keep at it, but don’t beat yourself up if it’s not perfect. See what happens when you spend time on it.

It worked for me in time, but first you have to put in the work.

Steven Savage

Why I Wrote It: The Power of Creative Paths

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(This column is posted at www.StevenSavage.com and Steve’s Tumblr.  Find out more at my newsletter.)

This book was written when I realized I knew more than I did.

Let me rewind, because this involves Project Management, seminars, and Seventh Sanctum.

Anyway, awhile ago I was asked to speak at a seminar for local members of the Project Management Institute. I have a bit of a reputation as being a creative type, so I spoke on the role of creativity in Project Management. This is more important than it seems.

See, Project Management in the broad sense (yes, I’m including Agile) requires creativity. You have to think around problems. You have to imagine solutions. You have to communicate in interesting ways. It was a natural subject for me.

But what I needed was a way to talk about different forms of creativity, giving the people there ideas of how they could understand their strengths. I turned to my Seventh Sanctum work for that, and realized Generators fell into five categories:

  • Expansion (adding things on)
  • Combination (combining things in set patterns)
  • Reduction (removing items)
  • Fusion (fusing concepts)
  • Mapping (metaphorical)

That gave me a great way to describe creativity so people could ask about their strengths. I put a lot of thought into this, then used it as maybe 25% of the presentation, and let it sit.

It was only years later when it hit me that “duh, this would be a great book to organize my theories on creativity.”

I know, yes, it was obvious. In hindsight. To someone who wasn’t me.

So I realized, yes, I should expand on this way of viewing creativity. I often advised people on creative endeavors, and this gave me a framework within which to think and coach.

Which meant then I had to organize my way of coaching to help people. So the framework I had carefully assembled now drove me to organize my thoughts. That’s what a good framework does – it’s a skeleton to put things on. Frameworks may not be complete or perfect, but they let you do a heck of a lot because they help you think of the big and small picture.

The book got a lot more intense than I expected because I had this framework. I organized my advice, found things that made me think, had to give examples, and so on. Writing on creativity, using that structure, required me to be more creative and more aware.

The result is a book I’m proud of, but I’m thinking I should revisit it now and then, rewrite it every few years. That way it keeps up with the times, that way I don’t let things sit, and that way I stay aware of my own thoughts.

Amazing what you can learn when you pay attention and have a framework.

Steven Savage