Pop Goes The Culture

(This column is posted at www.StevenSavage.com and Steve’s Tumblr.  Find out more at my newsletter.)

There’s something about current pop culture that doesn’t really “pop,” doesn’t seem to engage us unless it’s heavily marketed and promoted. I wonder what can help us find stimulating, challenging work these days.

In fact, what do we want from pop culture beyond entertainment and common ground.

Serdar wrote about what he wanted out of pop culture . He described how really interesting pop culture work isn’t top-down, but feels that it somehow escaped into the so-called mainstream

“I kept coming back to that word, “escaped”. I like it when it feels like some piece of popular culture has gotten away with something. I liked that Blade Runner 2049 was essentially a $200M art film, because we should make more $200M art films, dammit. I liked that David Lynch’s Dune, for all that was wrong with it, also had a lot that was daring and unrepentantly weird.”

This is something I want as well. When I look back on my pop culture interests, I find these things that feel escaped, at that subvert things genuinely really appeal to me. It’s pop culture on fire, that honest lightning that strikes us easily as it’s “pop” and accessible, but also something that twists, advances, or subverts expectation. Good pop culture travels along our common cultural wires, but delivers an unexpected and enlightening shock.

Most of my pop culture tastes tend to this role. My Hero Academia mixtaped American Superheroes and classic Shonen ideas, threw in a liberal dash of body horror, and created a haunted funhouse of action. Farscape was the Adams Family to the Father Knows Best of too much washed out science fiction, subverting tropes while delivering drama with a smirk. One of my most-beloved video games was Dungeonmans, a comedic Roguelike game that deconstructed the tropes of its genre, while delivering an actual good game.

Also those “wow” factors produce social bonding. That sudden, fulminating bond of an escaped wild idea can’t be duplicated.

But a lot of pop culture is pop only in popular, with giant conglomerates churning out cautious product. It’s meant to be popular,its meant to be widespread, but it doesn’t have that jolt, that scruff, that edge that some other projects do. It’s safe on every level, but that also mean’s it’s not challenging. When something big subverts expectations – say Shazam’s embrace of the family idea or Bird’s of Prey’s over the top delivery – we notice.

At some point, I think things are just going to keep grinding away and be less interesting. We’re watching DC capitalize on Snyder Cut mania for . . . well, I don’t know what reasons. In this Pandemic, are we really missing movie theaters and the usual output? Right now our cultural changes are making us massively rethink our media and media choices.

Serdar and I have discussed several times that any big media company who wants to do more needs a skunkworks. You need to try a lot of different things and see which clicks. Hand people low-to-mid budgets and see what you can run with that allows really great and interesting ideas to “escape” from the confines of creators heads – and the current media machines.

But barring that, we creators, we indies, have to be the skunkworks. We’ve got to try wild things. Weve also got to market ourselves and each others. I’m not sure we can count on anyone but us.

(Note: Despite it’s many, many flaws, by I will defend David Lynch’s Dune as being unspeakably, daringly weird and bizarre. People gave him Star Wars money and he made a David Lynch movie.)

Steven Savage

Consuming Creativity

(This column is posted at www.StevenSavage.com and Steve’s Tumblr.  Find out more at my newsletter.)

Tyrants and those that would control us fear creativity. They can be out-imagined, out-thought, and thrown down often by means they didn’t foresee. Tyrants fear creativity.

Though tyrants may try to ape it, or own it, or redirect it, tyrants also try to hold people in their iron grip. Those they cannot deceive or bring over to their cause, they gladly terrorize. Indeed, such people revel in power anyway, and will do so until overthrown and thoroughly broken.

That terror can consume creativity.

When you are afraid, your resources rally to survive. In the terror produced by tyrants, your creative abilities easily focus on simply getting through the day. This can sap your creative powers, as you are spending so much effort surviving, you can’t imagine what is needed to overthrow a tyrant and give them the fate they deserve.

I don’t think tyrants entirely do this by design – terror is the coin of their realm. But they certainly are glad to have you so worried you can’t scheme against them.

Therefore it is the duty of a creative person to maintain that creative spark at all costs, because losing it costs all.

The simplest way is to make space for creative work – to draw, to write, to speak, to joke. To keep that area of your life where creativity is more than survival doesn’t just keep the flame of imagination going, it powers it. As long as you can see new vistas and make new songs, you can find new ways to survive the tyrant’s rein, and do your part to end it.

A creative should also remember that by keeping their creativity going, they help others. A song can soothe those terrorized by would-be rulers. A joke can lead to laughter and release, giving people a moment to see how small the tyrant is. A game can inspire and lead people to new ideas to resist and defeat a dictator. Remembering what your creativity does for others aids you.

But there is one other path – to use survival to inspire you.

Turning your creative energies to survive and prosper under a tyrant, to work towards their just reward, can be a great motivator. To dream of ways to communicate to others, to undermine evil, to free the imprisoned harnesses your creativity. It also gives you a sense of power – you have gone from surviving to finding the potential of triumph.

We should take joy in the ways we creatively battle the evils of the world.

But one should always cultivate a diversity of creativity – we should sing while we scheme against the king, the acid words of a good joke can be turned to the clever worlds of a good polemic. We should always keep that raw fire of creativity burning, not only taking pleasure in the eventual defeat of a dictator. Keeping that primal creativity keeps the infinite potential at the ready.

Besides, if one focuses only on the overthrow of a tyrant richly deserving defeat, then one may loose touch with all the creative things they can do. If you do that, you might become a tyrant yourself as you loose that vital, human, imagination.

Steven Savage

Not Back To Normal: Health

(This column is posted at www.StevenSavage.com and Steve’s Tumblr.  Find out more at my newsletter.)

Awhile ago I posted how even applying the good lessons from the coronavirus will change life and the economy – in this case, work from home. Sure we learned a lot of good things, but applying them would involve massive changes to our lives. So now I’d like to talk health.

It may seem that we’ve sort of learned the obvious lessons about the coronavirus – social distancing, masks, and all that. But let me be blunt.

Avoiding people when sick, washing your hands, masks during periods of disease would have been REALLY GREAT IDEAS TO DO ALL ALONG. I say this as a person who over the years has found his co-workers dragging in diseases and infecting entire teams.

Now imagine in a future where we’ve got the coronavirus vaccine but also we apply our lessons about health. A dose of hypochondria from the coronavirus may motivate us for many years, but we’ve also learned some damned good behaviors for, say, cold and flu season.

But what would those involve?

WORKING FROM HOME MORE: I’ve covered this, but bluntly, during periods of disease more people should stay home, work from home, etc. That of course means all the things I’ve mentioned before – but also “seasons” of sudden shifts in how people work. That’s going to be disruptive, leading to things like changing office arrangements, hours, or even part-time use of buildings.

USE OF MASKS: Handy things, really. Despite the bizarre politicization of basic health behaviors, I think masks are here to stay. I’m already seeing fashionable masks. So I expect more mask wearing – and more politicization, sadly.

BETTER HYGIENE: Well there’s little downside to this, but more hand-washing, house-cleaning, etc. is a good idea. That means more products for such in demand, with potential runs or shortages or over-purchases. I suppose the biggest impact is dermatitis.

RULES FOR BUSINESSES: We’ve learned the benefits of social distancing, but imagine these coming back in every cold and flu season. Or “senior hours” being maintained at stores simply for the health benefits. This means some businesses may restrict themselves seasonally.

BUSINESS CHANGES: I can’t even begin to predict all the impacts, so simple to say the coronavirus has led businesses to consider other models, such as many restaurants acting as grocery stores. Some of these changes have permanent health benefits, and may stay around or become seasonal.

CHANGES TO GATHERINGS: Imagine big conventions, sporting events, etc. and how they’ll change now that we’re more health conscious. Temperature checks. Moving events to avoid disease seasons. Mask requirements. Some things may not make sense anymore to even keep.

PERSONAL HABITS: I can’t see myself returning to a gym for months if not a year – and now that I’ve changed my workouts do I want to? I’m not sure I need to, so how many other personal habits will I change? Will others change? What businesses does that affect?

PERSONAL EVENTS: When’s the next time you want to host a 20 person get together? I think people may shift to more health-conscious events, smaller gatherings but also more virtual gatherings. I suppose its a good time to work at Zoom or Discord.

MORE ATTENTION: Coronavirus is a damned scary thing and its got people paying attention to medical issues. That’s good. It also means more hypochondria and more attention to conspiracy theories and more doctors rolling their eyes.

A NEED FOR MORE MEDICAL PEOPLE: Alone a lot of doctors and nurses and first responders are burnt out and tired. We’re going to need more people to help them, replace those we lost or who are retiring, and to deal with increased demand from a wounded and concerned public. There’s career options here, but also for sad reasons.

A DESIRE TO RETURN TO NORMAL: Which won’t happen. The US coronavirus response was dismal, and revealed our health system and general health habits were the same. Some people will want to go back to normal, and next cold and flu season, even with a coronavirus vaccine it won’t go well.

So I’m glad we’re probably more aware of health. I’m really hopeful to see a coronavirus vaccine in the next 18 months if not sooner, and perhaps protective measures before that. But I’m also aware applying the lessons learned will be a shake up.

We’re not going back to the way we were. That way doesn’t apply, but also kinda wasn’t so hot.

Steven Savage