Thinking With Different Minds

(This column is posted at www.StevenSavage.com, Steve’s Tumblr, and Pillowfort.  Find out more at my newsletter, and all my social media at my linktr.ee)

As noted many times, I’m interested in history, especially the history of religion and project management. Fortunately my interest in such things has focused on China, which has a long history of written records, and preserved writings on management advice over a thousand years old. We Project Managers have been here forever, everyone needs some anal-retentive worrier who can’t stand to leave things undone.

You think you got canals and great temples without someone like me?

Often in my readings I find how much I relate to people a thousand, two thousand, or more years gone. The same observations, the same issues, the same human condition – and human solutions. There’s so much similar, to the point where I can read about some guy charting grain storage and go “yeah, my man, great job, you update those records, you keep that thing running!”

But among all those similarities, I’d like to talk about differences in how we organize, get things done, and indeed just live with each other.

Yes, I can relate to people thousands of years ago, but they also led different lifestyles than mine. They probably didn’t live thousands of miles away from their family. The seasons meant different things to them with less transport for food and different dwellings. The people I read of might pass by a slaughterhouse casually, or eat food that literally came from next door. They operated on different schedules. NONE of them had to learn what an “Influencer” was or become bitter about it.

They had different minds than me. Yes, we have much in common, but it’s important to remember the differences too.

When I think of this, I think how different we can be sometimes. Now that’s easy to think of the differences between people now and a few thousand years ago. In fact it’s probably good as a lot of us have ideas quite out of date that got handed down over the centuries we don’t question. But there’s more.

Do we have the same minds as someone born a hundred years earlier than us? Fifty? Even ten? How many of us are running around this world trying to interact with people who have different minds than we? How many of us haven’t adapted to the present? For that matter how many lessons are we trying to apply to our current crises that may not be old, but are from different times and different minds?

As we try to solve the problems we face, we may want to ask if we have the wrong minds to do it. If I can speculate on using Agile in pre-Industrial China, we can ask if we are literally the wrong people for the job of running and probably saving the world.

It’s OK. The world has changed a lot. We’ve done some very stupid things in hindsight. It’s OK to admit it. But we have to become different people and that means recognizing we need different minds.

We can reach back and time and learn from people different yet similar to us. We can ask who we need to be now. We can see who we used to be. We can become who we need to be, to have different minds.

Because I’m not sure current us is ready for the job, and we cling mightily to ourselves.

Steven Savage

In Praise of Rabbit Holes

(This column is posted at www.StevenSavage.com, Steve’s Tumblr, and Pillowfort.  Find out more at my newsletter, and all my social media at my linktr.ee)

How many times have you heard someone critique people for niche interests?  Politicians and pundits will mock college students for supposed useless degrees.  Obsessive fans are targets of twisted humor.  If you haven’t experienced this kind of insult, you’re either lucky or boring.

I would like to defend this “going down a rabbit hole” intellectually, academically, and personally.  Instead of some highbrow argument, let’s talk my latest musical interest, and how it expanded my mind and made me a better person.

What kind of music?  Well those who know me would assume it’s either electronica, experimental metal, or parody.  Nope, my latest musical obsession is what’s popularly called “exotica” or “space age pop.”  Yes, I got into the kind of music you associate with 50’s and 60’s cocktail lounges and kitschy bars.

This is going to be a ride.

I never thought about this style of music until I heard of a show called The Retro Cocktail Hour at http://www.retrococktail.org/.  As I’m fascinated by musical oddness, I gave this show a listen and realized I liked this style.  It had a relaxing, moody quality that reminded me of another favorite – lo-fi Jazz.  Since I’ve been trying to broaden my musical horizons by trying new things regularly, I decided to dive into exotica – and got surprised.

Exotica is alive and well these days.  There are bands of older folks who’ve done it for ages, and young bands that have taken to the style.  These performers are all over the globe – the younger performers I found were in Europe.  Exotica, which I’d associate purely with America, was global – and sometimes being made by people who could be my kids.

Exotica also wasn’t just jazz infused with a serial-numbers-removed sound-fantasy of Oceana that I thought it was.  There was South American influence.  There was some African influences.  There were also attempts to add even more sounds from all over the globe.  Over the decades exotica was more of an attempt to integrate many influences – albeit one that could be ham-handed and appropriative (more on that later).

As I learned more about the global reach of this style, I found that exotica inspired or blended into other forms of music.  I discovered “space disco” or “cosmic disco” with it’s powerful, far-out sound.  “Acid Funk” and it’s trippy beats came to my attention.  Thanks to a friend, I found exotica intersects with the music from the Tropicália art movement – an influential and at-times attacked movement I’d never heard of and clearly need to learn more about.

Musical styles weren’t the only thing that exposed me to politics and sensitive issues.  Exotica is inevitably associated with Tiki bars and the cultural appropriation they embody.  As Tiki bars have gotten a revival, there are documentaries and articles noting how these bars, and some of the music, doesn’t acknowledge its use/misuse of Polynesian/Hawaiian/Oceanic culture.  Suddenly my newfound musical interest seemed less innocent.

(And I kicked myself for not seeing it earlier.  This musical rabbit hole required me to confront the insensitivity of me and people I know.)

Now I was listening to these documentaries and reading articles on Tiki bars and their history.  First, I learned about the influences and cultural appropriation, its own rabbit hole of wartime experiences, sexual repression, wild cocktails, and repurposed Asian food.  Then I learned about the revival of the culture in America (and apparently around the world).  These cheesy bars and the culture associated with them has a long and continuing history I’d never seen before.

These issues also included serious questions of cultural appropriation, insensitivity, and acknowledgement of history.

At this point, I began noticing how some exotica bands seemed to deal with these issues.  I noticed some removed “Tiki” influence from their later albums.  Others embraced the kitsch in the first place and probably didn’t care.  Some bands seemed to treat it as an aesthetic, a fantasy world like Middle-Earth, and didn’t worry either.  Finally, some used the midcentury modern art style on their album covers, and avoided (most) inappropriate imagery.

Now our story comes to a close with me listening to a style of music that led me to ask hard questions about history, culture, appropriation, and style integration.  I put more effort into evaluating the morals of my musical purchases and stylistic choices.  A single online recording of a radio show sent me down a rabbit hole that wasn’t just fun, wasn’t just history, but required me to think about ethics.

So that’s my story.  I discovered a musical style I’d rarely thought of, found out more about it, learned about new styles, and ended up facing painful issues of cultural appropriation.   I’m still in this rabbit hole, learning about history, food, style, and historical cycles.

All because I decided to go get obsessed for awhile.

Go embrace your rabbit hole.  You don’t know where it’s going to go, but that’s the point.  Take the journey, and if you keep on it, you’ll grow as a person.

Steven Savage

The Loss of Cool Futurism: Disunity

Serdar and I were recently’ discussing the revival/return of Omni magazine. If you’re not familiar with Omni then you’re . . . probably younger than I am.  So stop playing your music so loud and get off my lawn.

Anyway, Omni was one of those publications that had a theme of what I call “cool futurism”, of the amazing stuff we’d see, of soaring cities and great technology and a better world. It was hip and happening and often positive. Cool futurism is the kind of thing you see in Star Trek TOS, in speculations on future architecture, on imagining how we’ll solve disease or poverty – not naive, but, well, “Cool”.

It’s cool to make things better. Cool to imagine awesome things we can make.

It just doesn’t seem to be that popular anymore in America. So I began asking what happened, and you’ll be utterly shocked to hear there’s a blog post about it to follow. Probably several.

First of all, I think Cool Futurism is gone because there’s no sense of unity or potential unity.

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