Media

Art, Content, Dissatisfaction

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(This column is posted at www.StevenSavage.com, Steve’s Tumblr, and Pillowfort.  Find out more at my newsletter, and all my social media at my linktr.ee)

Someone I follow on Twitter was commenting on corporate multiverses and the endless reuse and processing of content.  This reminded me of my previous thoughts, but this person put it better than I – my favorite part bolded:

“Corporations will absolutely unashamedly shit on everything every artist has ever made, chew them up and spit them out and offer nothing. No art, just endless content.“

Now I’ve commented on quality in some corporate multiverses, and even praised them, but I also have gotten tired and uninspired by a lot of media lately. Few things seem to connect to me outside of some anime/animated properties, and I find myself exploring more esoteric corners and non-fiction.

No art, just endless content.  Their words stick with me.

Art is something that connects with us and also knocks us into somewhere else mentally.  I’ve had that moment of deep, meaningful experience in everything from anime to samurai movies to audio-visual collages.  They don’t even have to be “good” per se, but they’re visions that mean something.

Content is when you just fill things in, check the boxes, and call it a day.  It may be enjoyable, and there may be art in there (and often is), but it’s not deep or meaningful and doesn’t stick with you.  It’s not necessarily bad (Indeed, I can think of a cooking show or two that fits this), but it’s not something that feeds the soul and leaves you someone else.

Of course, content is easy.  It doesn’t rock the boat (or does just enough to get attention).  It can be boiled down to a formula and yield some success.  It can be made regularly.  It’s nice and predictable, even when it presents to be unpredictable.  Modern technology makes it even easier!

Art is wild, unpredictable, and disruptive (even when intended not to be).  It’s when you get out there and make something not to check the boxes but to do your vision, do your thing.  Sure you may make money, and you might need SOME checkboxes, but it’s about something deeper.

Many a good artist knew how to get asked for content and deliver art.  Some HK action movies fit that vein.  I’d count the He-Man CGI as the same.  The unexpected success of the Early-00’s My Little Pony remake is an example.  But that quest for Content overshadows the future of each property that takes the money for content and makes art.

I suppose the point of this rant is now I understand some of my dissatisfaction.  There’s so much content, but I want art, and I want to share it.  This doesn’t exactly solve anything, but now I have better language.

That’s a start towards me understanding what I want to find – and what I want to produce with my writing.

Steven Savage

A Certain Intimate Dissatisfaction

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(This column is posted at www.StevenSavage.com, Steve’s Tumblr, and Pillowfort.  Find out more at my newsletter, and all my social media at my linktr.ee)

I’ve felt a disinterest in media lately.  It was only after some analysis that I understood how much media lacks intimacy.

Something has been itching at the back of my mind lately, a dissatisfaction with most media.  It wasn’t  hatredjust a sense of being unfulfilling.  I’m not saying the media were even bad, but I felt something was missing.  Instead of trying to scratch this itch, I leaned into it to learn it’s nature.

This sense of unease was tied to a recent interest in old alternative music radio shows, strange zines, audio ephemera, sound collages, etc.    Those things were unique, with passion for once-obscure (and still obscure) bands, remixing techniques, personal interests, and so on.  Each one was a little ball of itself.

Compared to that, many movies, television, etc. seemed so sterile.  Oh, it might be good, but the market is filled with works that look alike, everything is overhyped, and it’s impersonal.  There was a lack of connection there.  I could enjoy some crappy B-movies more than the big thing I had to see, with a few exceptions (Everything Everywhere All At Once, for instance).

This ‘itch” didn’t apply to video games, which was another clue.  I love Early Access games, being able to give feedback, and be involved in the process.  I also loved digging up strange, obscure, and unique titles to play, those visions giving form.

I understood then – I craved the intimacy of media involvement.  Of being involved in the creation and sharing it (like Early Access games, or Zines).  I missed things that were personal experiences with that sense of craftsmanship (Zines, alternate music, strange films).  With this in mind, I’m finding my interests again, often in the strangest places – of which I may write more in time.

I think our modern media, which often produces things that can be good, also creates works that are mass-marketed, polished, and targeted.  Things may be optimized, but optimization isn’t personal.  When you’re just caught within a statistics range, you know.

I suspect this is an unappreciated part of fandoms as well.  Some fandom experiences are intimate, with fanfic, art, cosplay, conventions, etc.  The flawed or over-engineered creation can bring people together, who then transcend the original work.  Fandom can add something to the experience of a media, a something I don’t think is fully appreciated by many.

So now I have a grasp of this itch, this sense of dissatisfaction.  I miss work that is connected, personal, and above all not over-engineered.  I miss media that helps me connect with people and indeed to the “bigger picture.” 

I’m not sure where this will take my tastes, or my own creative works, but it’s going to be an interesting trip.  You’ll be along for the ride and plenty of blog posts – and what’s sure to be a connecting experience.

Steven Savage

Media Opinions: Personal or Personal and Universal?

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(This column is posted at www.StevenSavage.com, Steve’s Tumblr, and Pillowfort.  Find out more at my newsletter, and all my social media at my linktr.ee)

For too many people, media discussions are frustrating because they become conflicts. What should be an exchange of thought becomes a war of ideas and regretful exchanges. We all know someone reluctant to discuss media opinions – we may be that person.

I constantly have conversations about this “battle of opinions” with friends, and our near-universal reactions are “why the hell did this become an argument?”  It’s easy to decide not to discuss movies or books with anyone but a few trusted people – we don’t want a fight. We prefer an exchange of ideas not metaphorical gunfire.

In a recent conversation about these “battles of opinions,” I realized one problem is how we express and discuss personal and universal values about media. People confuse their opinions with universal truths, but also miss that communicating universal truths needs personal connection.

Let me illustrate this by turning to that producer and canceller of great shows, Netflix.

First, let’s discuss their adaption of the 80s-90’s manga and anime, “Bastard!!” The source material is basically Dungeons and Dragons filled with heavy metal band references, sort of Jojo’s Fantasy Adventures. It is dumb, violent, and keeps a lot of the old problematic content, albeit with a bit of self-aware humor (think a touch of Spinal Tap among the metal). There’s not anything universal I can say about it, my enjoyment was “let’s enjoy this big dumb retro thing.”

My enjoyment, being personal, is not one I can say all should share. I know what I wanted, I got it, and at best I can say “you might like this if you’re in the same mood.”  My opinion is not universal or a sign of a great truth, it’s a sign of a personal experience and perhaps a momentary lapse in taste.

(Also, if you do try it, the show kept some very dated stuff from the original, from gore to stupid fanservice that will not sit well with people. I question its inclusion, as there’s faithful and too faithful.)

You can see how if, like many, I felt my opinions were some universal truth, there would be an argument. It would also be a pointless argument because I am expressing something that only exists inside my head.

Now, let’s discuss Netflix’s remake of “He-Man and the Masters of the Universe,” which I’ve analyzed before. I thoroughly enjoyed it, but also part of that was how well crafted it was. The worldbuilding used the original ideas for parts – which I appreciated as I write on worldbuilding. The well-crafted episodes moved at a breezy pace, keeping me enthralled. It was all tied together with an excellent cast that got into their characters. I could discuss the surprising virtues of this show as universal values  – but note that my personal experiences were the gateway.

I achieve two things by expressing the universal virtues of “He-Man” through my experience. Because I express the universal virtues (worldbuilding, pacing, etc.) in a personal way, they are more understandable to people. Secondly, by expressing how such virtues appeal to me personally, I lower the chance of making it sound like I’m being too authoritative.

Some our “media battles” come from two sources. One is the people declaring their personal experiences to be universally valid. The second is people attempting to express universal values, and not epressing the personal connections that help people grasp them.

Steven Savage