The Tower of Babbling

(This column is posted at www.StevenSavage.com and Steve’s Tumblr.  Find out more at my newsletter.)

The Attention Economy is everywhere. Hits on social media sell ad space. Pundits make stupid statements to get hits and rile voters. Everything is about getting us to look, click, and of course, serve up a few ads or maybe get a donation or sale out of us. The Attention Economy’s architects built it to use us, not serve us.

The result is a pile of data analysis, affiliated companies, shadowy agreements, and optimization. This Rube Goldberg device of attention extraction serves those wanting to make even more money and the few who can get in on the deal. It’s a meaningless edifice for most of us. There’s no there there, just people selling things through ads or wanting to get us to vote in anger.

The pinnacle of this is NFTS, where people burn up the planet to tag ugly art as theirs in what is obviousy a scam and money laundering scheme. There’s no meaning, just people insisting there is until the game of musical chairs catches fires.

Lately, I’ve been digging through old indie radio shows, some going back to the ’80s. There’s music I’ve never heard before and will likely never hear since. There’s witty commentary on the time that’s only more poignant. It’s all so personal, so real, so meaningful to the people at the time – listening to these shows, I felt the enthusiasm so strongly, an enthusiasm I missed.

That enthusiasm, that meaning came from the strong personal feel of the indie music, the skits, and the host’s passion. That connection is too rare in the attention economy. It’s hard to love something when you have to pander to the algorithm, jump on the latest trend, or spew the latest jargon just to get seen. You have to be meaningless to get the attention for things with meaning, and it’s maddening.

Throughout the pandemic, I’ve found myself engaging in what’s meaningful to me. Joining activist groups that do things. Engaging with meditative practice more strongly to understand myself. Working on a job that lets me actually do good things. I think this focus wasn’t just due to the pandemic itself, but necessary to keep myself together in the mess of the Attention Economy.

Many of us hope to slow, dissemble, or change the bizarre media mess we’re dealing with. I have some hope for regulation and great hope for engaged citizens. But one thing I can say is we need to focus on ourselves and find what we care about first. That gives you the grounding you need to do the right things – and not get swept away in the latest mathematically calculated fad or outrage.

I want to be as deep into something real as old radio show hosts were into psychobilly from Arkansas or early techno.  Maybe by being better grounded, I can help others find meaning as well.

Steven Savage

The Difficulty of Difficult Media

(This column is posted at www.StevenSavage.com and Steve’s Tumblr.  Find out more at my newsletter.)

(Thanks to Serdar, who inspired me with this column.)

I often hear the word “Difficult” used to describe media with praise. The “difficult” film that supposedly makes you a film buff if you understand it. “Difficult” is apparently a good thing, and I see no reason to believe this.

If a book or movie is “difficult” to understand, is that a testimony to its depth? There’s no reason to assume that it’s any good – maybe it’s incoherent or bad. Perhaps the creator didn’t know how to communicate. A difficult movie isn’t necessarily a mental obstacle course that strengthens you, but just a pointless labyrinth.

Yes, some media is “difficult,” and yes, it takes intellectual fortitude to understand it. I evaluate such media on a case-by-case basis because “difficult” even when properly used doesn’t communicate depth. A clever mystery isn’t the same as a symbolism-packed journey.

I think people love to praise “difficult” media because it says I am smart enough to understand this and you’re not. Claiming something is “difficult” for too many is a way to praise themselves. It’s a way to use a single word to claim one’s intellectual superiority that you “got” it.

I’m always wary of simplistic descriptions such as “difficult.” They quickly become shorthand whose meaning is lost or ignore important distinctions. One word can get in the way of the real experience of a piece of media or a person.

Steven Savage

On Popular Things

(This column is posted at www.StevenSavage.com and Steve’s Tumblr.  Find out more at my newsletter.)

A discussion that I and my fellow authors seem to have again and again is “is it worth time reading or watching really popular things?” This is not snobbery, but more a question about using our limited time. Maybe something popular is so analyzed and discussed we don’t think there’d be any value in seeing it or reading it. Perhaps we want to find the less known and bring it to light. Maybe we’re tired of good but overexposed franchises

There are legitimate reasons to ask “do I care about this popular thing?”

As I noted before, you can overdo worrying about “am I consuming the right media.” There are reasons to take a chance on popular media.

First, you may like it. There is nothing wrong with enjoying something popular, no matter how many people tell you your nose isn’t turned up enough. To try to dislike things you like is to turn your back on the rest of yourself.

Even if your enjoyment is minor, you may also desire the social connections. You may be “into” a film series or TV enough that you can enjoy discussing it with others. Humans are inherently social beings, and media consumption is part of it. Don’t indulge in something you don’t like, but I think it’s understandable to “give it a try as everyone else is.”

If you are unsure if something popular is worth your time, then why not try it? You can always drop it after reading a few chapters or watching an episode. It is OK to quit.

Finally, no matter why you partake in popular media you will have useful reactions – as I’ve noted, your insights on any media are uniquely yours. You may learn a valuable lesson, even if that lession is I hate this stuff. Each encounter with media – rare or common – is a learning experience.

Remember, your experience of a media is unique, even if it is “I will never touch this dreck again.”

Steven Savage