Psychology

Less Time Among The Dead

by

(This column is posted at www.StevenSavage.com, Steve’s Tumblr, and Pillowfort.  Find out more at my newsletter, and all my social media at my linktr.ee)

Over the last few months, a past project has stayed in my mind. It haunts me – could I reboot it? Transform it? Restart it? I find myself re-envisioning how to redo the project, or change it into something else, yet nothing gets done.

I’m sure that you, my fellow creative, have similar haunts. You have projects long dead, on their way there, or buried hastily in a shallow grave. Yet their ghosts are still around, wandering among your thoughts and distracting you from current, living efforts.

I’ve had to confront my current ghost and decide, “you have to rest. The rest of your descendants may pick up the torch.”  It was quite liberating, if saddening.

We can’t burn time and energy on endlessly mourning dead projects or battling their remnants in our heads. That’s time and energy that we can use to do other stuff. You can’t ignore the living and focus on the dead.

So let me take this morbid metaphor of dead projects as ghosts and suggest some ways we can deal with them from my own experience.

Put Them To Rest: It’s time to let them go; decide you don’t have time for this. Mourn, acknowledge them, and move on. You can even keep a Necropolis of undone projects, you know . . . just in case. Plus, “interring them” may remove any guilt or fear of losing ideas.

Exorcism: Maybe you need to get something out of your head forcefully. Focus on another project, and store your notes elsewhere (or behind a password). 

Resurrection: Sometimes, being haunted means it’s time to return to the project. That’s fine – just do it as part of your planning, be honest about the challenges, and accept you maybe never should have killed the project. Live and learn.

Reincarnation:  Reuse the project, but don’t revive it. Do something else in the setting, transplant your ideas elsewhere, etc. Don’t revive the project – help it find a new and hopefully better life.

Frankenstein: It’s fine to take parts of dead projects and make something new. An incredible amount of creative efforts are like this.

We can’t stay haunted forever.

I would add that as you bury or resurrect back projects, ask yourself why it was hard to get to that choice. Some self-examination will help you understand your limits, help you grow – and maybe keep you from obsessing over dead projects as much.

Spend your time with the living.

Steven Savage

Virality Banality

by

(This column is posted at www.StevenSavage.com, Steve’s Tumblr, and Pillowfort.  Find out more at my newsletter, and all my social media at my linktr.ee)

Over the years, the term “going viral” started to get on my nerves.  As I’m a writer, this nails-on-chalkboard-in-my-soul experience is common as “going viral” is oft a goal of writers.  We want tales of our books to “go viral” so they reach our audience – oh, and so we make money.  Despite the “positive” take on it, I kept finding it annoying.

I figured it out recently – and I’m glad to say three years of Covid-19 chaos was only a minor part of it for this hypochondriac.  However, it does involve viruses-as-metaphor – so let’s talk viruses.

A virus isn’t even a living thing; it’s a replication machine that uses living creatures to reproduce.  It has no reactions, no feelings, it’s not even a single-celled bacteria.  A virus is pointless – which is probably why they’re so scary – at least a bacterium is alive like you.

The idea of “going viral” as an author or artist gets to me as the idea is “you hijacked a bunch of people’s attention and got them to spread what you posted.”  The quality of your book or art doesn’t matter – at best, it’s an afterthought of whatever meme or clever marketing phrase you used.  Dross and brilliance, specialty work and mass appeal creations, the content doesn’t matter.

There’s a creepy implication to “going viral” that your work could be like a virus, and that’s laudable.  You can make your work perfectly calibrated to sell, create a perfect campaign, and get a bunch of attention – but there’s nothing there but a bunch of optimized math.  I’m unsettled by the idea of “virality” replacing creativity.

When you take a look at our media and social media landscape, you can see it’s gone in that direction.

What do I do with this knowledge of my opinions?  Mostly it tells me what I’m comfortable doing as an author to promote my works.  Partially it may tell me why some of my fellow creatives are unsettled by “going viral.”

But it also means I’m casting a far more jaundiced eye on marketing and social media, and I’m sure I’ll have more opinions to follow.

Steven Savage

Can’t Get No Validation

by

(This column is posted at www.StevenSavage.com, Steve’s Tumblr, and Pillowfort.  Find out more at my newsletter, and all my social media at my linktr.ee)

Now and then I encounter or hear of a writer and their works where the person seems desperate for agreement with their worldview.  They don’t want to share an experience, you must agree, or you must be some kind of heretic.  It can be bloody nihilism of some bad horror film or airy utopia bull, but the person wants, craves that agreement.

There’s something peculiarly weird and needy about these kinds of authors and auteurs.  Much like religious evangelists, it seems they need others to feel the same as they do to know they’re real.  It’s like they’d die like Tinkerbell if not clapped for enough, they’re that empty.

I think this is why you find so many failed artists among politicians and even religious leaders, both of whom love big productions and producing media, even if ghostwritten.  Denied the ability to be famous from books or films or comedy, they seek other ways to inflict themselves on the world.  They may have changed fields, but they’re still telling tales and wanting someone to clap.

The thing about these people who need validation is how un-independent they seem to me – be they artists or politicians.  Craving validation so much, they adapt to the market and ride trends and say what works, even when it’s not them.  The author famous for ten pandering books that are famous is no different than the politician who jumps on every trend for votes and makes destructive policies.

So often a quest for validation means there’s no one left to validate – all the person has become is a series of marketing calculations and a bank balance wrapped in human skin.  The thing is the artist may write on war to get attention, the politician may start one. I’ve often said people should get experience in at least one art, so they can communicate and be aware when people are trying to manipulate them.  Perhaps I should also add that becoming familiar with the pathology of art – and art-related professions like politics and religion.

Steven Savage