Grinding On In Hope

(This column is posted at www.StevenSavage.com, Steve’s Tumblr, and Pillowfort.  Find out more at my newsletter, and all my social media at my linktr.ee)

2022 seems to be a line of unmitigated tragedy.  COVID continues to rampage, Russia invades Ukraine, the economy teeters, the news is full of bullshit, and there are multiple school shootings.  Even though we see hope in Ukraine, the other issues wear on us.

I’m sure you feel that grinding awfulness, and in time you want to give up.  I can offer you this advice – don’t.  Take a rest, take a break, get away, but don’t give up.

The one thing we can do is keep going in the face of all this awfulness.  We can fight for what matters, we can stick to what’s meaningful to us, we can not quit.  Quitting is the one thing that guarantees a worse world.

This isn’t just a moral statement, it’s a statement about meaning in our lives.  When we give up then we’re no longer ourselves, we’re a shadow waiting for harsh light to erase us.  In motion there is hope that what matters to us can continue to matter, to sustain, to grow, to return.  We need this motion not just to be good people but to stay sane.

Humans are a process.  When we stop, we’re just not people, just not ourselves.

So as hard as things are now – and I know they’re hard – don’t give up.  Keep going, even if “going” involves a rest for now.  Keep being you – that you, that process, might just get us out of this mess, or at least you.  Until we get out of this, at least you’ll be yourself when you’re in motion.

Steven Savage

Isekonspiracy

(This column is posted at www.StevenSavage.com, Steve’s Tumblr, and Pillowfort.  Find out more at my newsletter, and all my social media at my linktr.ee)

I’m not a fan of most Isekai stories – stories of a person ending up in another world and are very prominent in manga and anime. Yes, there are wonderful genre classics like The Wizard of Oz and Fushigi Yuugi. There are good ones in today’s anime world, like the stellar The Faraway Paladin (watch it and prepare to cry). Too many of them get right up my nose as obvious power fantasies without much else beyond wish fulfillment.

Something else I’m not a fan of is conspiracy theories. I’ve watched them consume people’s minds, poison discourse, and lead to a violent attack on America’s Capitol. In a recent fit of contemplation and podcast-binging, I realized conspiracy theories are bad Isekai stories.

It is not a pleasant realization – and writing this made it more troubling.

First, both bad Isekai and conspiracy theories are about victimhood. The more pandering Isekai are about someone getting to be great, mighty, find revenge or whatever in their new world. Conspiracy theorists are also grievance-ridden and looking for someone to take it out on – and in their fantasies they hurt real people.

Isekai (good and bad) and conspiracy theories are oft about being special. That makes sense as a manga titled “I Went To Medieval Times And Died Of Disease” has a limited audience. However, in too many Isekai, the power trip is the point, leading to a story that only works if it pushes your buttons. I find this no different from how many conspiracy theorists believe they’re on a special mission from God or a secret agency to fight evil (when really they’re just toys of grifters).

Both Conspiracy theories and Isekai promise simplicity and are usually gamified. Many modern Isekai are based on game ideas and thus have obvious villains and heroic goals – defeat the Demon Lord, get the girl, etc. Conspiracy theories promise to make sense of the complex world and as scholars have noted resemble LARPS (Live Action Role Playing Games).

Finally, find a lot of bad Isekai dehumanizing and most conspiracy theories to be dehumanizing. Too much Isekai is about the hero you’re supposed to identify and a world of cardboard cutouts to knock around. Conspiracy theorists are glad to dehumanize people, sorting them into simple categories and wishing or bringing harm on people they’ve turned into props.

What I see in all of this is a need for escape.  The more pandering Isekai – as much as I critique them – are fulfilling a need.  Conspiracy theories fill similar needs but in a very destructive manner.  Somewhere in there is a mental place where someone starts a side into the darkness, and I wish I understood it better.

But at least with this insight, I have a chance to understand it a little more.

Steven Savage

You’re The Customer

(This column is posted at www.StevenSavage.com and Steve’s Tumblr.  Find out more at my newsletter.)

Over at his blog, Serdar discusses how people figure out what to write.  Exploring what we want to write creates more satisfying works for the audience and the writer.  It’s not always a comfortable process, and I’d like to increase the discomfort.

Who decides the value of your writing career?  That’s important to know since you need to target your writing and efforts towards that person or people.  You can read books and take training on determining customer value (I could probably dig some up for you as that’s part of Agile).  Difficult question, right?

I’ll give you the answer – the person who decides the value of your writing career is you.  Your first customer is you.

That’s not a twee answer.  You’re the one putting your time, life, and money into writing and you should get what you want from the effort.  If you’re not getting it, you should change how and what you’re writing.

Too many people get into writing with a set of vague ideas, goals, and motivations.  This gets you going but isn’t always enough to complete a work, and not enough to keep going.  Too many writers I know have a vague sense of goals, but not enough to bring their writing career to life.

I can understand why people have these ephemeral senses of what they want because self-exploration is painful.  We discover flaws in our character, gaps in our skill, and unpleasant truths we’ve avoided up to now.  If you think asking “what do I want out of writing?” sounds like therapy, I can tell you sometimes it can be awful close.

Asking this question also opens the terrifying possibility that we shouldn’t be writing.  But it’s better to find out that’s the case than wasting time on something that you get nothing out of.  Take comfort though, I doubt you’d be reading this if you didn’t have some real reason to write.

My own motivations varied throughout my career until I realized I’m motivated by writing and sharing knowledge and experience.  I like to reach people – which I do via writing but also speaking and hanging with fellow writers.  I could have saved myself a lot of time if I’d realized that first.

So go talk to some fellow writers.  Talk to a therapist.  Talk to me. Spend some time driving and get to know yourself as a writer.  It’ll be worth it (and you’ll be better at writing).

Steven Savage