Passion Is But One Guide

(This column is posted at www.StevenSavage.com and Steve’s Tumblr.  Find out more at my newsletter.)

“Follow your passion” is advice we often hear concerning careers, and tune out just as often as well. It’s tuned out because such advice is often trite and doesn’t acknowledge the complexities of life. However, there’s a puzzle piece of good advice in there.

The desire to follow our passions appeals to us, to live to what’s close to our heart. Passion isn’t enough, but it’s a reminder there are things that are part of us, visceral parts that can guide us on careers and in life.

Maybe, when we tell people to “follow their passion” in jobs and life, we can note that’s the first thing. There are other pieces to the puzzle of “what to do with life.”

Passion, of course, can drive us and tells us what’s fulfilling. We may not be good, we may face challenges, but passion keeps us going.

Our natural aptitudes and cultivated abilities are also a guide to careers. These are things we’re just good at for whatever reason, and we can use them, grow them, or channel them.

Interests are another element of ourselves to cultivate. There are things we just like, even without burning passion or talent involving them. They may guide us, or just flavor our life and career choices.

Finally, let us consider fit. Perhaps you want to work in government or live in a small town. There are just people we belong with and places we belong at.

When we discuss following passions, it’s really an opportunity for a deeper, more complex conversation. However, it’s a conversation worth having, not just for insights but to overcome the old “follow your passions” trope. Getting past that overused advice, we can find the other pieces of ourselves, or help others find their own.

Steven Savage

Remembering the World is Alive Matters

(This column is posted at www.StevenSavage.com and Steve’s Tumblr.  Find out more at my newsletter.)

It’s easy to get depressed at the state of the world for many reasons. There’s a cloud that passes over us that makes everything look mechanical, inevitably clicking towards doomsday. When the world is a machine, we see no hope to survive the crises we face.

But then, when we get creative, making art or writing, the world becomes different. We see there are many possible futures. We see solutions to problems. The world has options, it’s organic, it’s alive – and the future can be shaped.

Something about creativity wakes us up, so we see the world more as the complex, many-faceted thing it is. It’s not just that we can imagine solutions; we’re operating differently. You can’t create mechanically, and creativity can also snap you out of mechanical thinking.

Of course, we might look at this rush and then ask “wait, can my creative abilities change the world?”  It doesn’t matter – the state does.

This is important to remember – keeping this “organic” state of mind comes from our preferred creative acts. It could be drawing, it could be RPGs, it could be writing. There is no right way to get to this state, just your way.

Keep that mindset of the world being alive and I’m sure you’ll find a way to make a better future.

Steven Savage

Big Ideas and Big Egos

(This column is posted at www.StevenSavage.com and Steve’s Tumblr.  Find out more at my newsletter.)

As of late, my friend Serdar has been on a tear, speculating on constructive loafing to quality and “difficult” work. I’ve come to realize a lot of creative speculation is self-justification and self-aggrandizement. That is hardly creative.

For instance, consider the idea of the “auteur” creator, the wild madman (always a man, isn’t it?) who doesn’t play by the rules. Supposedly their greatness is in their disdain for rules of all kinds.

 . . . but isn’t a great part of this a desire to just not have to play by rules? Many a wild auteur, deconstructed, is a gloss of transgressiveness over unoriginality. But if you can say you’re a troubled genius, you can get away with a lot.

Or consider how we treat creativity as some magical happenstance from outside. That there’s this bolt of lighting or genetic lottery that decides creative power.

. . . but isn’t this part of the desire to feel special? We want to feel chosen. Of course, if you pretend to be special, some people may see you clothed in the wardrobe of an artist, despite your naked lack of talent.

Creativity is a messy way of bringing about order – or an orderly way to make a glorious mess. It’s hard work because no matter what magical spark you have, it takes work to make it real. The reception of creativity is unpredictable, as many a talented person can tell you by pointing to their bank account.

It may soothe egos to believe one is a great auteur or give one license to take the frustration out on others. It may boost one to think they have some unique divine creative spark burning within them. But we only delude ourselves with such thoughts, and delusion rarely leads to creativity.

Worse, if we encourage these fantasies for ourselves, we allow them in others. I think we’ve learned again and again we need less egomaniacal auteurs and artists with delusions of eugenics or godhood. No matter how gifted, such people will eventually have their art be all about themselves, and then it ceases to be art.

I’d rather deal with creativity face to face, like a person, with the humility and unsurety that involves.

Steven Savage