Stop Being The Writer You Are

(This column is posted at www.StevenSavage.com and Steve’s Tumblr.  Find out more at my newsletter.)

Let me ask you a question – imagine someone is basing a character on you as a writer. How would they portray it, what “writer archetype” would you easily map to?

My guess is that answer came a bit too easily, or that once you examined it, you found the choice was not quite right.

Our culture provides us many ways to think about being a writer – roles and tropes and ideas of who we should be. Lately I’ve been aware of just how often writers (and indeed creatives) slot themselves into various cultural tropes. I think it’s actually holding us back.

How often have you met people describe themselves as “X kind of writer?” How many people have said “I’m trying to be like X?” Have you ever met someone who seemed to be playing a “role” as an author like Unappreciated Creator or Self-Depreciating Writer or Calculating Opportunist? Culture provides us many ways to think about ourselves.

How do you think about yourself? And is it healthy? I’ve come to wonder if the roles society gives us aren’t that healthy.

There’s so many negative ideas of authors and all creatives. There’s the inevitable Sad Failed Author, or the Unappreciated Auteur. There’s the Has-Been, and the Never Will be. If we’re not thinking of ourselves in bad ways, we worry others may fit us into the tropes.

There’s also so many limited ideas of author. How many people “Just Write X?” How many people “Want To Be Like Y” – the way so many movies are “like A plus B.” How many roles, even positive, are constraining?

So here’s my challenge to you. I want you to rethink yourself as a writer. Come up with a way to describe yourself that’s your own. Define yourself.

Perhaps you do it like a Fantasy Class. Are you a Fantasybender? Are you a Priestess of Promotional Advice?

Maybe you do this in a simple evocative way. You’re the Hard-Bitten Humorist. You’re The Worldbuilding Guru.

Another way to do this is put it as a role. Supporter of Cosplayers. Crafter of Sarcasm.

Try any of those, but I challenge you now to come up with a way to describe you, as a writer, that’s yours.

Steven Savage

The Angel Is In The Action

(This column is posted at www.StevenSavage.com and Steve’s Tumblr.  Find out more at my newsletter.)

We’ve often heard it said The Devil is in the Details, which is certainly true in writing. We can plot and outline all we want, but when one truly writes, that’s when we find out just how many unexpected details and findings can bedevil us. Writing is often overwhelming when we dive into a work because there’s so much we have to think about.

Worldbuilding is a prime example. No matter how much you plan, you’ll quickly ask questions, find holes, or create problems for yourself. Worldbuilding is challenging, and not everyone embraces it with the same (masochistic?) fervor as some.

Characters are another example. We’ve all had writing experiences where characters made up their minds to be different. These moments are delightful, but not so blissful is the realization 70% of your plans got tossed out.

Language is yet another example of bedeviling details when we write, in nonfiction or fiction. As you write, you keep putting yourself in the shoes of the audience – and we may find that we’re not wearing the right shoes. Creating something is a hellish chance to find that you’re not speaking to the proper audience, or you don’t know that audience as well as you’d like.

Our own outlines may cause us problems. We can see a beautiful map, a wonderful path, and then writing it down only brings out many confusing questions and issues. For some of us, the best laid plans don’t even get set down before they go wrong in our heads.

Any moment like these can derail us, confuse us, and make us despondent. We’re writing and our own writing is making us miserable.

A break may be in order, but let me suggest this – if the Devil is in the Details, then let’s keep going. The Angel is in the Action, as it were – moving forward we find salvation from our problems.

If we address the problems we find as best we can – even if taking a note to fix it later – we go on, accomplish things, and can revise work later. We may even find the problem can be revised elsewhere in our work.

If we keep writing, we’ll accomplish work, achieving both our goals and having a reminder of just what we can accomplish. By continuing to write, even when harassed by our own fear of details and fine points, we at least move forward and maintain our confidence.

If we work around our problems and fears and challenges, we may find we don’t even have to deal with them. Sometimes a retrospective reveals our fears weren’t an issue all along.

If nothing else, completing a work or a piece lets you revise it from a point of surety – even if you’re sure it’s not that good.

We don’t really learn something until we do it, and that includes fixing our stories or overcoming issues of missing detail. If we let the Devil hiding in the details get to us, we forget that it’s our work and we have the power to fix problems. Powering through, keeping going, lets us leave him behind, lets us find our Angel – be it a new idea, a solution, or a workaround.

Take action when writing frustrates you. Keep moving forward – even if it’s in circles. Maybe take a little break, but don’t let the Devil whisper in your ear you can’t do it. Find the Angel in your actions.

Steven Savage

Real Fun Is Subversive

(This column is posted at www.StevenSavage.com and Steve’s Tumblr.  Find out more at my newsletter.)

Real fun is subversive.

I’m not talking fun that offends. Offense isn’t subversive. Fun that offends is trapped by its need to offend, lacking the sense of sheer joy unbound that healthy fun has.

I’m not talking fun that is a “guilty pleasure.” A guilty pleasure requires you to have something to feel bad about – then not feel bad about. Guilty pleasures aren’t subversive, the very name suggests they’re less guilty, more pleasure

I’m not talking about doing the “big thing.” You may enjoy that, but also you might just be following along with the crowd, having fun because you have to. “Required fun,” as joyful as it is, still jabs you with that razor edge of control from outside.

I’m talking fun that’s just . . . fun. Sheer joy of something, the happiness in being there and enjoying yourself. It’s a kind of connection and expression that’s just being you. That’s incredibly subversive.

When you have fun you’re just being yourself, experiencing joy, doing what you like, living. It’s almost a meditative experience if you pay attention – fun is when you’re you. You just might be having too much of a good time to notice it.

Think about it. For the moment you’re truly having a good time, that one moment you’re you. You’re not what people told you you are – or told you you’re not. You might rebel against constraints of society by being the real you – or perhaps in joy discover social connections that real mean something.

Fun isn’t just subversive against society’s pathologies. Maybe your social ties and society are fine – but fun helps you discover yourself. Bad habits and unhelpful attitudes can vanish when you experience joy, in those moments you’re in touch with yourself. You might be bad at being yourself – fun can help you discover it.

Finally when one is enjoying themselves, you can find new ideas and inspiration. You’re open to experiences – or perhaps the kind of fun that limits your experiences so you’re thinking clearly is what you need. These are moments where you can become something better by being yourself, enjoying – and seeing what evolves.

This is one reason fun, joy, entertainment, is so valuable – when done in a healthy manner. Its moment of being oneself, a moment of clarity, and a moment of safety. In those moments we’re us.

Being us is pretty important. We might not even like what we find – but then we can deal with it. But, good self or bad, fun is one way to subvert what holds us back and disconnects us, and find something more we can be.

Steven Savage