creativity

But What Does It Mean?

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(This column is posted at www.StevenSavage.com, Steve’s Tumblr, and Pillowfort.  Find out more at my newsletter, and all my social media at my linktr.ee)

Recently a friend found an AI generated fake trailer for a kind of 1950s-1960’s live Sailor Moon. This, it turned out wasn’t the only fake-retro live Sailor Moon trailer generated by AI. Somehow I feel the infamous failed Saban Sailor Moon has driven people to imagine such things differently (forgetting the rather well done live Sailor Moon from Japan).

Now I find these things amusing, but there was a strange emptiness about them. What, I wondered, was the point? I can imagine these things in my own head, and in fact have – once in the form of a late night discussion of Lucille Ball playing Sailor Moon (I was assuredly sober). Do I need someone to use tetchy AI to illustrate something?

As I contemplated the weird meaninglessness of these things, a friend who’s a talented cosplayer note that there was no point to such creations. What would have been truly amazing would not have been someone tossing prompts to an electricity-devouring toy, but to have rallied cosplayers and shot it live. Suddenly I got why so much of this AI art feels meaningless.

Let us imagine that some cosplayers had gathered to create a Sailor Moon trailer true to the spirit of the 50’s or 60s. They would have done research and studied costume design. They would have sewn, crafted, created, re-created, and perfected their work. Those doing the filming would have figured the angles of the time and how to get the color just right. Voiceovers would have been chosen to fit the period, perhaps finding veteran actors or new talent.

The creation of a few minutes of trailer would have involved people making, learning, researching, bonding. They would have made friendships that lasted a lifetime, spoken at cons, and taken their skills elsewhere. Someone may have used such a creation as a senior thesis, others in a portfolio. One small bit of fun would have impacted many people, echoing through their lives.

Or you can throw things into an AI. Sure there’s some talent in tweaking the prompts, calling the best shots, and so on. The editing of such things definitely requires skill. But so much of it is disconnected or not as connected as it should be. I won’t deny that a person with AI uses talent and inspiration to create a larger creation, but it lacks that big, meaningful picture of an effort without AI.

An artistic creation is a lot more than the time you watch it on screen.

What AI turns out is results with little human connection, history, inspiration, or meaning. It makes “product” in the most empty use of the term – something designed to appeal to someone’s interests, something to sell, a result not a thing with history and meaning. We’ve taken an interesting tool and now people pitch it as a substitute for being human.

This is another reason I’m skeptical on AI creations beyond some more personal and specific uses. Where’s the human connection? The team that learned from making a show? The author you love and get angry at in equal measure? The voice actors to fan over? The choices only a person could make – even if they’re the bad choices of an actual human? Where’s what comes next, with lessons learned and ideas built on?

It’s not there. Just a machine turning out stuff in the rough shape of what we asked. It doesn’t mean anything.

Steven Savage

Force And Form

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(This column is posted at www.StevenSavage.com, Steve’s Tumblr, and Pillowfort.  Find out more at my newsletter, and all my social media at my linktr.ee)

So I’ve been thinking about what to do next in my writing. I’ve had quite a few “phases” of my writing – career writer, creative writer, worldbuilding writer, etc. I feel like I should have a what’s next.

I want to write because writing is what I do. I like to write, I have the urge to write. So I know I’m going to write – this column is an example of how I can’t really stop.

However to be really fulfilling – unless you’re just playing – it seems the urge needs a form. Something to put it into, channel it into. At least for me, I can play, but I really come to life creatively with a project.

(Again play can be a project, but I think that’s got a limited lifespan before I want to do).

So as an example, here’s where I am.

Right now, I look to the work I’ve done before, what I do now under assorted pen names, and I think what I want is connection. I want to interact more with people, have dialogues, and have my creativity connect me with people.

I also have been reading and listening to columns and podcasts (often from the same people) and really enjoying the idea of “one or two people give a deep dive” on an issue. They’re personal, and the creators often invite input and commentary. There’s something about a “unique voice” that is appealing, evne when you disagree with the voice.

So I’m thinking of expanding on my columns here. Maybe take it to two a month, make them longer, more in depth, and send them out as newsletters as well. Maybe just do what I do with more discipline and focus. This way I can go into deeper exposition on creativity, technology, and culture in ways that invite people to connect with me.

I might even put some together in a book (this time for real, yes I have about a book and half I could and should use).

Will this work? No idea! I’ve got to play around with it a bit. But I’ve got the drive, I’ve got an idea, so if nothing else I have something to try out. If it fails at least it’s a specific situation I can learn from.

And I can always go back to play to see what emerges and takes.

Steven Savage

The Blank Manifesto

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(This column is posted at www.StevenSavage.com, Steve’s Tumblr, and Pillowfort.  Find out more at my newsletter, and all my social media at my linktr.ee)

My friend Serdar and I discussed the Poser Manifesto over at a delightful game blog. He got inspired and began typing away on his own manifesto. Inspired, I thought I too should put my thoughts together (not that it didn’t help that I just got a copy of Breton’s “Manifestos of Surrealism”)

So inspired I then thought about what I truly think as a writer and creative, ready to rant as I always do.

Nothing came. If you know me, NOT having something to say is pretty rare. I mean I don’t even have to have anything to say to spew a lot of words.

I wasn’t sure what to say, how to codify my beliefs. Perhaps it’s been a long day. Maybe I’m tired, but I could not articulate my own artistic vision.

This was pretty terrifying to say the least. It felt like the rug had been pulled out from underneath me mentally. Whats more, it was surprising as I’ve been and am pretty creative.

I am on a break with my writing, updating book covers and other projects, but I’m still writing here. Under pen names I experiment with art and zines. I’m always swapping ideas with fellow creatives. You think I’d have something to say, right?

It was terrifying and distracting. There was no rant, no manifesto, no vision in my head. I felt something was missing and I just noticed it.

Then I put the pieces together:

I’m taking a break from my regular writing here. Not surprising as I have “punctuations” in my writing – my career phase, my worldbuilding phase (which may indeed have run its course some 22 books later). I’m on hiatus to see what’s next.

I’m also experimenting in various communities with small press, mashup and surrealist art, and more. I’ve got “projects” but every project is about 50% experiment – it’s play.

I am in a creative transition.

A good manifesto usually needs some framework to put it in. Me, I’ve caught myself between spaces,and simply put I’m still building my new framework. I was the Geek Job Guru. Then I was Worldbuilding Guy. Even if a manifesto is not about a specific subject, it helps to come from a specific person and I’m not exactly specific right now.

I’m not missing something right now. There’s a space between, a space where something new can arrive, where someone new can arrive. I’m awaiting the next me.

He’ll doubtlessly write a manifesto.

Just thinking about it gets them one step closer to being born.

Steven Savage