Hard Because We’re Inside

Writers, artists of all kinds, can be incredibly hard on themselves. If you’ve dealt with such creatives, you know it. If you are such a creative, well, you’re nodding along. I myself can be harsh towards my skills, abilities, and works.

I’ve wondered why we do this. I mean sure, not every artist or writer self-flagellates, but it’s common enough that I feel there’s something to it. We creatives can turn on ourselves.

A book could be written on this – indeed I’ve written about it before. But one of the reasons that comes to mind is simply that we’re inside something no one else can experience.

Each creative person is living inside their own unique experience and creations. No one can see the flaws of our work because only we have them inside our head. No one can see the flaws in our process like we do as we are the process. No one lives with them as much as us – only we know what that’s like.

We experience our creations and creativity so intimately its easy to see the flaws. It’s also hard to express or connect as no one can really get what’s going on as they’re not us. It’s lonely, in our face, and intense.

Solving it is also hard because our self-loathing is so intense and personal. For us creatives wanting to mitigate this – and help others, I think there’s a few lessons.

First, any creative has to be aware of their own mental health and use our awareness of how personal our experience is. Being aware that yes, we have unique experiences, yes its hard to share, we can approach our own well-being better.

Secondly, I think we can network and connect with fellow creatives so we can support each other better. Being aware we’ve got some isolation, we can mitigate it as best we can socially, in writer’s groups, etc. It may be hard, but we can try – and our fellows can tell us when we’re being too cruel to ourselves.

Third, we have to remember creative support groups – writer’s groups, art jams – have to be about more than what we make. We have to talk challenges and problems in being creative and what we face. You can’t just talk word count and editing them go away. Creative people need people because hey, we’re people.

We might be in our heads because we do a lot of work there. But we can have guests and we can visit. With a little less sense of disconnection, with more people to understand, we can get more done and maybe get over those times we’re hard on ourselves.

Steven Savage

Tired Of Thinking About Money

(This column is posted at www.StevenSavage.com, Steve’s Tumblr, and Pillowfort.  Find out more at my newsletter, and all my social media at my linktr.ee)

I love a challenge.  That fuels my personal budgeting, retirement planning, and part of my writing career.  Money is a pain to deal with, but when you gamify it, it becomes fun.  Finances can be like a game, and I savor the challenge of getting it right.

As of late, I became aware of how much I thought about money.  It was more than I was comfortable with.

Could I jump on a trend and write this book?  Could I monetize this idea?  Could this book be more profitable if it was a second edition?  When you have a monetizable hobby like mine – writing – it’s easy to fall into the “money mindset” all the time (and it’s easy anyway).

When I decided to take time to have “space” for creative work, experimentation not planned works, I found monetization sneaking into my calculations.  Could I do X not Y with this fun project and make money.

My reaction to this realization was “what the hell is wrong with me?”  Why was I seeing so much in term of money – and not even in the fun way of gamifying it.

The truth is our society emphasizes monetizing everything.  Hobbies are side hustles, a job is an endless treadmill of promotions, you can sell your memorabilia, etc.  Companies want you to use their service to turn your grindset mindset into their profit – use their services, their marketing, etc.  We’re drowning in the idea that everything has to be for the money.

Worse, for the money is an excuse for bad behavior.  If it’s for the money it’s treated as OK, no matter how awful a person you are – which is probably why many a Forbes “30 over 30” young entrepreneur ends up in court.  Money excuses all ills and all ill behavior.

Thanks to this realization,  I’ve been reclaiming my vision and joy of creativity without the view of monetizing everything.  There’s space in my plans to just mess around.  I feel more free, more creative, and more connected to people.  When you remove finance from every interaction, you discover real human interactions.

I recommend my fellow creatives take a step back as well.  Are you unconsciously monetizing everything?  Maybe it’s time you stop – before you stop being a creative and just become a profit optimizing machine.  Or, worse, end up on the Forbes 30 under 30 and then in the news.

(And if you’re over 30, don’t waste the time or wisdom you have monetizing everything.)

Steven Savage

Coming To Our Separate Senses

(This column is posted at www.StevenSavage.com, Steve’s Tumblr, and Pillowfort.  Find out more at my newsletter, and all my social media at my linktr.ee)

You may remember my earlier post on “granularity” as a measure of quality of story.  My take was that good work has a level of detail, much as a visual work does.  Some works of broad tropes may be big, colorful detail (like an 8 bit game), others may have fine, subtle detail (like a realistic painting).  I felt the visual metaphor was useful.

In a discussion with my friend Serdar, he brought up how he had a similar term for good works – pungent.  That work that has a power to it that brings a reaction just the way a strong smell does.  Pleasant or unpleasant, it has a certain something that draws you in, a depth.

I went with sight as a metaphor.  He went with smell a metaphor.  I suggested we should find other metaphors using the remaining senses, but by the time the joke was made I took it seriously.  Why not experiment with metaphors to understand creativity?  My creative friends and I are always trying to find metaphors to understand what makes creative work good.

Writers, artist, cosplayers, etc. want to know what’s good, but creativity is not so easily classified.  But exchanging metaphors and comparisons like this?  That’s valuable, small signs and milestones to help us get where we’re going.

(OK now I’m using a map metaphor.  See what I mean?)

By taking a moment to think about good works as pungent (as opposed to my granular), I gain a new way to appreciate good works and improve my own.  Is this story I’m considering more soy sauce or fermented pepper paste?  Should a blog post be like a delightful smell that lures you in, or the punch-in-the-nose scent that gets your attention?  For that matter, could I be writing something so bland there’s no “scent” at all?

I invite you to exchange metaphors and brainstorm them with your creative friends.  See what kind of visceral relations and comparisons you can come up with.  Your differences will probably lead you to some informative places . . .
They may even lead to metaphors that are pungent.  Or granular.  Or use some other sense . . .

Steven Savage