Empty Content

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I hear about “Content” constantly, and I’ve grown tired of it.  People need Content for their YouTube channel, to keep an audience, fill books, etc.  I finally realized why it gets up my nose – because the focus on Content doesn’t consider meaning.

Too often, when people talk about Content, it’s about needing to have it for some reason.  The channel has to have Content for the algorithm!  The blog needs Content to keep people’s attention.  The Podcast needs Content because you’re on a schedule and people expect it.  The existence of Content matters more than what the Content is.

When we speak of Content, we mean writing, discussions, videos, etc.  We’re talking about something that is meaningful or should be.  It may be a good chuckle or a life-changing revelation, but Content is about something supposedly that has value in itself.

The demand for Content makes our creations secondary to mathematical formulae and marketing calculations.  Content is just something we use to fill a space, the packing peanuts of the soul.  The meaning of that Content is secondary to just having something to pour into a container.

That’s what irritated me about the constant chats about Content – the value, the importance of the creative work wasn’t relevant.  You could boost the YouTube algorithm with a picture of you shirtless and silently reading Terry Pratchett or a detailed guide to creating resumes, and the result might be the same.  The idea of Content these days flattens the value and meaning of creation itself.

This situation makes it harder to become better at what you do.  When your critical goal is creating Content, then shoveling works out the door takes priority over making better works.  It’s all attention or meeting a wordcount, or whatever first, the work is secondary.

There’s a soullessness to it all and I can now put words to it.

For me, I think I’m going to think over what I make and why a little more.  I can see where I’ve fallen into the Content trap and where I’ve sought depth.  I also see where I may get distracted by “shiny Content” and not ask if it’s something I care about.

But for now, when I cringe at yet another discussion of Content I’ll know why.

Steven Savage

Run Deep Not Shallow

(This column is posted at www.StevenSavage.com and Steve’s Tumblr.  Find out more at my newsletter.)

My friend Serdar tweeted thusly:

“speculation: nostalgia for 8/16-bit gaming / computing is nostalgia for an era of dedicated devices and focused time, an era when you could sit down to write or play sth and not have 200 tabs assault you sidelong”

As I retrogame, I had to think this statement over. I came away with the conclusion Serdar wasn’t right in the whole, because there are many reasons. But he was right in the small as, on review, I saw this in myself and others.

Echoing memories of a simpler time.

This reminded me of an exercise I had done to evaluate my life and career. Often replaying my choices, I took a walk for an hour and worked backward through my life, looking at my major life choices. I had many deep insights during my stroll, but at times I remembered life before internet-driven complications.

How much of my time today was really mine?

I finally found a way to express this when I discussed social media with a communication professional. They noted the research required to go into a good strategy these days and how easy it was to be distracted. I summed up their conversation as “what are the deep patterns?” that mattered to what they had to say.

We are distracted by so much that professionals have to keep developing counter-distraction approaches.

Thus we come full circle to what stuck in my head due to Serdar’s Tweet. So much of today’s mega media always-online culture of constant chatter was a distraction from “deep patterns” of life. Like powerful currents running beneath a body of water, those are important, not the sparkly ever-changing reflections on the surface.

The deep patterns, the powerful currents we need to navigate, steer, and control, are easy to miss in an age of 200 tabs and constant scandal-chat. It often feels like there’s more of everything, but what matters is a shrinking percentage of the whole vying for our attention.

How many times have you wanted to scream but does any of this matter?  Admit it, it’s a non-zero number.

For me, I’m glad I have experience and interest in meditation, philosophy, and psychology. Some Taoist abdominal breathing or pithy Buddhist quotes help bring me enough awareness of the distractions I face. But sometimes, it’d be nice to just not have 200 tabs, ten text messages, and email piling up.

It’d be nice to just focus on a good game.

Steven Savage

The Difficulty of Difficult Media

(This column is posted at www.StevenSavage.com and Steve’s Tumblr.  Find out more at my newsletter.)

(Thanks to Serdar, who inspired me with this column.)

I often hear the word “Difficult” used to describe media with praise. The “difficult” film that supposedly makes you a film buff if you understand it. “Difficult” is apparently a good thing, and I see no reason to believe this.

If a book or movie is “difficult” to understand, is that a testimony to its depth? There’s no reason to assume that it’s any good – maybe it’s incoherent or bad. Perhaps the creator didn’t know how to communicate. A difficult movie isn’t necessarily a mental obstacle course that strengthens you, but just a pointless labyrinth.

Yes, some media is “difficult,” and yes, it takes intellectual fortitude to understand it. I evaluate such media on a case-by-case basis because “difficult” even when properly used doesn’t communicate depth. A clever mystery isn’t the same as a symbolism-packed journey.

I think people love to praise “difficult” media because it says I am smart enough to understand this and you’re not. Claiming something is “difficult” for too many is a way to praise themselves. It’s a way to use a single word to claim one’s intellectual superiority that you “got” it.

I’m always wary of simplistic descriptions such as “difficult.” They quickly become shorthand whose meaning is lost or ignore important distinctions. One word can get in the way of the real experience of a piece of media or a person.

Steven Savage