(This column is posted at www.StevenSavage.com, Steve’s Tumblr, and Pillowfort. Find out more at my newsletter, and all my social media at my linktr.ee)
The latest news about our oncoming future of AI generated soulless media has got me and my creative friends talking. We’re swearing, too, but the conversation is quite intelligent between the occasional profanities
My good friend Serdar notes in an excellent post that you have to drive out ugliness with beauty. If you keep showing off the ugliness, the awfulness of things, it creates pathologies, a tunnel of crap, even if its in mockery. Trauma tourism of our culture is still traumatic after all, and we hunger for actual good stuff – so make something good damn it to squeeze out the ugly.
I agree with him for the most part, but sometimes you can use the ugly.
Now in my own work, even that which responds to trends (like some worldbuilding books), the goal is to get people to write good things. I want something that adds to the wonderful of the world.
But you’ve also noticed some of my sarcasm or parody here, or in my fiction. It occurs in some of the more experimental art and writing I do (currently) under pen names. There is a part of my work that uses the terrible and sad things of the world as fuel, and I think that is valid – when done right.
There is value in mockery, and parody, and response. From Mark Twain to Dave Barry, Terry Pratchet to Chuang-Tzu, people have made works both timeless and calling out people and organizations and ideas that need to be skewered. Sometimes you create beauty by giving the ugliness a good drubbing- hell, no small amount of Punk music fits this category.
The problem is this is really hard to do. If you’re going to make beauty from ugliness, then you best make sure you’re up to the task and you want to do it. Not everyone is, and that’s fine – for instance Serdar and I have different backgrounds and inclinations. Or in short, I’m the sarcastic and parodic one, meaning our friendship is sort of a Road movie that happens very slow.
As the sarcastic one, here’s what I think makes a response-to-ugliness work as actual, positive, creative work.
First, it has to timeless in its own ways. There’s little value in speaking to the event of the moment without context or depth. The more the thing you’ve decided to “take on” is connected to the big picture, the better. I recall an essay in the Chuang-Tzu on warriors (albeit one clearly written by one of his followers) that had me outright laughing at the end, even though the tale was perhaps two thousand years old.
Secondly, a work of mockery or parody has to be relevant, and this is the paradox that affects many a writer. You have to know the subject matter enough to make what you create more than just saying “see how dumb that is!” I mean I can watch many videos mocking an unwisely-constructed electric truck that seems designed to kill people. But in-depth understanding is valuable because then I understand.
Third, such work has to be human. Ridiculing something or someone is easy, any bully can do it. I want to understand people, their reactions, their experiences. Ever read a good essay or book on the economic impacts of some horrible government choice on real people and felt it? That’s what you want. That’s what art does – it gets the mind and heart going.
Finally, it has to be actually good. You can’t rely on someone else being terrible to carry your work. I learned this lesson from podcasts and youtube videos that did critiques. The truly good ones have good hosts, providing smart analysis, and were people I’d listen to or watch if they spoke about good things.
If you create beauty out of ugliness, you need depth to really do something that will squeeze out the ugliness. For all he took on, the late Sir Terry Pratchett’s books are things of beauty, even when addressing issues from racism to economics. Any ugliness is but fuel for beauty – in the right hands.
If you can’t do that or don’t want to, then fine! We all do our parts to make the world a more beautiful place – and that’s needed today more than ever.
Steven Savage