Creative Conspiracy: A Malicious Misuse Of Power

(This column is posted at www.StevenSavage.com and Steve’s Tumblr.  Find out more at my newsletter.)

As I stated previously, the border between a conspiracist and a creative is very, very thin. 

This may seem blasphemous coming from someone like myself who writes on imagination and the like. But we have to accept there is no moral value to creativity – the liar creates as sure as the novelist does. I like to stay positive, but for this essay series, I’m not going to. Let’s get to it:

Conspiracists are engaged in creative acts for unhealthy reasons.

We have to confront this – people can use creativity pathologically, and conspiracists do. Indeed, there is precedence for human creativity having unhealthy manifestations. Indulge me in some quick asides.

Lost In Story

I always was fascinated by cases of people who constructed elaborate fantasy worlds. In my psychology and history readings, I would find stories of people living in detailed imagined realms. These cases intrigued me because some quite functional people lived in fantasies as elaborate as the worlds of Tolkein. They just took them as real.

We can dream whole worlds and live them in response to trauma or other hardships. That’s not much different than the conspiracy theorist, who uses more of reality – just a matter of degree.

Apophenia

As conspiracy theories raged across the internet, many of us heard the once-obscure term apophenia. This is the human tendency to find or perceive patterns that aren’t there, indeed a trait of conspiratorial thought. I oft saw the term thrown around as a pathology, but really, finding connections is what humans do.

We are pattern-seeking creatures. We use our imaginations to figure things out and make sense of the world. We’re almost certainly unaware of how much we do it and how wrong we are. The fact we have a term for it, and it’s popularized, tells us we know we have this tendency.

A Creative Misuse

Between the extreme cases and the human tendency to create connections lie the conspiracy theories. The Conspiracist spins elaborate fantasies, trapping themselves in a world that is partially real, yet not. They then act on this real world, oft with disastrous consequences.

This leads me to the question What is creatively unique about conspiracy theories?   My conclusion is that there is an element of malice in them.

Conspiracy theories seek enemies, and they place blame. Their elaborate fantasies always have someone responsible, and that someone usually needs to be fought or punished. As we are all too aware, these targets are all too often vulnerable populations and individuals.

From witch-hunts to fascism, there’s always a target, and people are falling into elaborate justifications.

History also shows there are usually ringleaders. From politicians to preachers, podcasters to writers, there are plenty of people ready to exploit conspiratorial thought. They may use existing conspiracies, create their own, or exploit what their followers dream up.

Even if there is no one to exploit them, conspiracists may use each other. They trade conspiracy theories, build on each other, vying for attention or hoping to find truths. Anyone following internet conspiracies has seen how much creative ferment happens on anonymous message boards. In time, there is usually someone to exploit it.

We know the results. Attacks on the US capitol. Gas chambers. Would-be heroes murdering innocents they think are evil aliens.

Understanding conspiracy thinking as a pathological creative act helps us identify it. Next, let’s look at how we can use a tool I made to understand creativity to identify conspiracy theories.

Steven Savage

Creative Conspiracy: Deadly Fiction

(This column is posted at www.StevenSavage.com and Steve’s Tumblr.  Find out more at my newsletter.)

On January 6th, 2021 I watched people storm the American Capitol. It was a disgusting display of people motivated by lies and anger. It was a pathetic display as the fools streamed themselves and photographed themselves, meaning the world could find them. It was a foolish display as it awoke law enforcement and the public to their horrific activities.

I watched people threaten my Congress, following the debunked lies of “President Trump” and his enablers, and turn it into a show. It came close to being a snuff film.

Experts and amateurs alike will analyze what happened for years and ask, “how did we get here?” This column series is my small contribution to that effort because I’ve come to realize a painful truth.

Conspiracy theories are creative acts, and we must understand them as such. We must understand them as those caught up in them do not, and those exploiting them often do know they’re making things up.

On the surface, Conspiracy theories may seem as ridiculous as they are sinister. How can someone believe such nonsense? How can someone draw connections between such unrelated people and events? What leaps of imagination are people making to have faith in such elaborate foolishness?

Now, consider that we may enjoyably believe nonsense. We will happily embrace fictional worlds of ninjas and starships, sorcerors and superspies, and so on. We will take out our dice and our manuals and play a role-playing game, forcing new characters out of numbers and checklists. We use our imaginations all the time, exercising, stretching them, growing as people – and having fun.

There is only one difference between those spinning foolish conspiracy theories and the lofty heights of epic fanfic and Role-Playing Campaign. That difference is the former doesn’t always know – or admit – they’re making things up. Ask yourself how often, as of late, believers in conspiracy theories are sneered at as LARPers – but how close it truly is.

Your last Round Robin Writing Exercise is very close to what your average Conspiracist does.

Conspiracists are misusing their creativity to trap themselves in a fantasy world. It’s every warning about Dungeons and Dragons from thirty years ago; only the real danger was people believing tales of fraudulent elections and Satanic cults.

Worse still are those lying to them to sell books, T-shirts, and whatever. The conspiracy field is filled with grifters – it always has been if one is historically aware. In modern times they have more platforms to spew their fictions from, though thank gods there’s less over time as of late.

Conspiracy theories – and the violence that follows them – result from a series of malicious and ignorant creative acts.

In understanding this, I hope we can find new ways to battle falsehood – and help people find healthy creativity. But to do that, we must admit something simple.

The border between a conspiracist and a creative is very, very thin.

Steven Savage

The Law of Conservation of Silliness

(This column is posted at www.StevenSavage.com and Steve’s Tumblr.  Find out more at my newsletter.)

I would like to propose the Law of Conservation of Silliness.

I do not do this lightly because I take silliness quite seriously. Be it wild cosplay or wacky humor, strange crossover fanfictions or subtle jokes, nonsense is something I appreciate. My history of watching B-movies testifies to that appreciation.

Humans need silliness, you see, much the way we need play – perhaps both needs are the same. We need that space to let our minds flow free in seemingly foolish directions, both to laugh but also to discover. We need to be silly to relax, to take a moment to not be serious in an oft-serious world, else we lose something. Any of us know the sheer power of giggling at something so foolish it might just be profound – and how we might find profundity.

When we can be silly, we also take ourselves less seriously. The world, in my opinion, needs that – and always had.

Thus we need silliness, humor, strangeness in our lives. So what happens if we do not get it? In modern times we can indeed observe that when denied, the silly side of people comes out in strange and dangerous ways.

We all know the people who take themselves too seriously. The uptight and the self-righteous, the judgemental and the hateful. We know people without joy or laughter except, perhaps at the expense of others. When they imagine, they only seem to imagine dark things and make equally dark plans against their imagined phantoms.

Thus these unsilly people build elaborate webs of hatred and conspiracy to fight. Never satisfied because they cannot enjoy, they cannot be silly, they spin silly-looking beliefs of a world against them. Their lack of silliness and humor means they turn that talent to making lists of the tiniest hatreds and elaborate conspiracy theories to explain their own pettiness.

If you do not experience silliness, then it will come out in dark ways. We use that silly side of us to make the world worse when we cannot enjoy it.

One merely has to look at elaborate conspiracy theories being spun on the internet. They are oft silly and dumb in a way that would be funny if people didn’t believe in them. Very serious people – too serious – spend time creating such illusions and making everyone else miserable.

I submit that if such people could relax, laugh, be foolish and wild, they wouldn’t spin ridiculous tales they take too seriously.

Thus the Law of Conservation of Silliness: If we are not allowed to enjoy silliness, we will turn it into believing and doing foolish but awful things.

Do I take this law seriously?

Well, there’s a good question. It does seem a bit silly, doesn’t it? But perhaps a dumb law is the best thing to explain a dark tendency of people.

Steven Savage