psychology

Spread The Fun

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(This column is posted at www.StevenSavage.com and Steve’s Tumblr.  Find out more at my newsletter.)

I’ve written in praise of fun many times. Fun liberates, fun soothes, fun inspires, fun explores. Fun is a great thing, and I am totally behind it.

We also need fun as human beings. It can connect us to each other. Notice how we share fun, even if it’s just discussing cool things with each other?

So I want to encourage you to share fun with others. Buy people games and books that you enjoyed. Purchase art for them that fits their passions. Have viewing parties of great movies or television. You don’t even have to like what you share – as long as your loved ones enjoy it.

Spread the fun.

Now, why would you do this? I’d like to leave this “as is,” but analyzing it also helps us understand the value and think of better ways to do it.

Here’s why you spread the fun.

It makes people happy. That’s the obvious one, but it’s worth repeating. The world needs happiness and joy, and just one gift can make a different.

It connects you to people. A gift that brings joy connects you with the receiver. It’s a way to be closer to someone. We all need strong ties.

It teaches you about people. To learn what people enjoy and what they care about is to learn about them specifically and people in general. Giving the gift of fun teaches you deep things about people.

It exposes you to more. Giving gifts of games and shows and such that people enjoy exposes you to their tastes. You might just learn about the world and find new things to try.

It sets an example. Share with someone and they may be inspired to do the same. You become a role model or a source of ideas.

It puts money in the hands of creators. Help support creators with your money when you share fun. This is especially important in supporting innovative, small, interesting, and radical makers, writers, and more.

So the world needs more fun and more joy. One small gift can have a cascade effect.

Start spreading the fun.

Steven Savage

Writing And Metaphor

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(This column is posted at www.StevenSavage.com and Steve’s Tumblr.  Find out more at my newsletter.)

What’s Your Metaphor for writing?

Returning to fiction with my novel, A Bridge To the Quiet Planet and its upcoming sequel, a School of Many Futures, required me to think about writing a lot. Thinking about writing, how to conceive of it, how to pace it, how to develop it helps you, well, write. A metaphor gives you tools to think in and ways to improve.

For nonfiction I think of it in abstract, visual forms. I’m so used to writing it and have for so long that my metaphors are things I see and feel. Perhaps once I had to use more concrete terms, but time makes things unconscious and automatic, and I don’t remember.

But fiction? That was harder because I’d not thought about – and when I was rethinking my writing methods, I realized I was treating fiction as a “physical” thing.

You’ve heard me talk about “Big Rocks” as pieces of fiction and plot. I’ve discussed Agile and stories, but Agile comes from physical manufacturing and store stocking – it often has “physical” ideas built in. I treated stories and chapters as scenes as boxes containing various events.

Did these limit me? Hell yes, because fiction – and indeed a lot of writing – probably isn’t best thought of in physical metaphors. It’s too limiting, too atomistic, too confining.

Now how did I realize this? Because I was analyzing writing (as I always do) and realized how important editing is, and editing requires a product. You make something then improve it.

Writing fiction is like writing computer code.

Computer code is more a living thing, with components and distinct parts, but it works because all its parts come together. It’s about flows of information and functionality. Best of all, as long as you have it working – no matter how awful – you can improve in. In fact, you often have to make bad code to get good code because you don’t know how it’s going to work until you have something.

Seeing this metaphor, this new metaphor, really helped me get over some of my writing challenges. Thinking about the parts of a fictional story as physical started to fade away. I had a way to see things differently.

My metaphor or metaphors may not be yours. Even my more abstract ways of thinking are my ways, not yours. But a challenge to you, my writing friend, is to find what metaphors help you write. What is a good way to compare writing to something else that helps you?

Maybe you have it. Maybe you don’t. Or maybe you just thought of it and have more to explore . . .

Steven Savage

Resting In The Palm Of Your Hand

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(This column is posted at www.StevenSavage.com and Steve’s Tumblr.  Find out more at my newsletter.)

Several times when I’ve read about psychology, philosophy, and meditation I’ve seen people go about how you can’t really “grasp” things. You can’t truly hold an emotion because you live it. You can’t truly sieze on peace of mind because it disrupts piece of mind. These are things you experience, but they can’t be put into a box.

This is very frustrating to many people (at times myself) because we so want to grasp the idea, the feeling, the mental state. As soon as we do it’s gone.

This I have found is true of writing as well.

Me, I’m a planner, but as many of you have read over the years, when I overplann my work falls apart. I can have everything outlined and linear, have a schedule, and at that moment I am the most vulnerable. At some point you have so much plan and schedule, you don’t have a book or a story – the plan predomnates, the schedule dominates.

When I back off, I’m suddenly more in touch with my work. I feel it because I’m not trying to control it.

When I back off, the ideas flow. I’ve loosened the flow of ideas as opposed to immediately channeling them.

As I’ve said earlier, I think it’s important for an author (or any artist) to stay in touch with their work. From creating it to editing it, rereading it to blue-sky dreaming, it helps to stay in touch. It ensures it’s a part of you, not something you rip out of yourself and throw into a plan.

We must touch our work, but not sieze it so powerfully as to loose it. Instead, it’s like letting something rest in the palm of your hand – it’s there, you’re in contact with it, but you’re letting it be.

It may be painful and tear through us. It may be something that makes us think graceful thoughts or feel subtle emotions. But we need to let our creativity be itself enough that we can manifest it as books, songs, games, and more.

Steven Savage